The Tapestry of Black Britons, curated by Paula Ogun Hector, is a major, evolving public artwork and exhibition that reclaims and celebrates Black presence and contributions in Britain.

It is woven by Bristol-based textile studio Dash + Miller, using a mix of techniques inspired by the Bayeux Tapestry, Akan weaving, Kente cloth, and Caribbean textile traditions. At its launch at Arnolfini in Bristol (May–June 2025), the work centres on Black servicemen and women from the Second World War, in recognition of the 80th anniversary of VE Day, highlighting contributions too often overlooked.

Importantly, it is not static: this tapestry is living and growing. It involves artists, schools, communities, poets, and heritage organisations across the UK and the diaspora, contributing further panels and elements — physical, digital, and sonic — to build a fuller, more inclusive national narrative.

As a stage on this journey, Paula approached the Worshipful Company of Gold and Silver Wyre Drawers, enquiring whether some Goldwork embroidery could be added.

Freeman and RSN Tutor Kate Pankhurst liaised with the RSN, and an initial appraisal of the piece was arranged. The Clerk of the Company, David Utting, offered his military insight and knowledge, while RSN Head of Studio & Standards Anne Butcher and Professional Embroidery Tutor Course Leader Joanna Hart considered what materials and techniques could be used. Alongside project curator Paula Ogun Hector was Eddy Smythe, whose grandfather is depicted in the piece.

Five RSN Professional Embroidery Tutor students volunteered their time to add Goldwork embellishments to the cap badges, buttons, and insignia of the uniforms. This was no mean feat, as the two days allocated at Hampton Court happened to fall in the middle of the September Tube strikes. Fortunately, the work was completed, and the Tapestry continues its busy display schedule.