At the RSN Embroidery Studio, we work on pieces that range across many periods of time, including more recent years. Recently we had the opportunity to prepare and secure a contemporary hand painted Kimono onto a board so that it could be displayed in a frame and hung.  

This piece for the client was all about the sentimental value, which is why they chose to frame this treasured piece so it could be displayed and enjoyed. We worked closely with the client to decide on the background silk colour so that it worked well with both the Kimono and the room décor. This meant we pulled together a range of colours chosen by ourselves and the client and then laid out the Kimono with each fabric colour, allowing us to stand back and assess each option. The client took photos and fabric samples home to try within the environment the piece would be hung. This process took a little time to ensure the correct colour was chosen. 

 

As this piece was so large, we mounted the Kimono onto conservation grade foam board to reduce the weight for the framer. Mounting the Kimono onto the fabric was tricky due to the size and being able to reach the middle, as well as making sure we struck a balance between too much and too little stitching. The client also requested that a flash of the lining to be visible and we were able to place a strategic ‘kick back’ of the front to allow this. Getting the collar to sit nicely took a little tweaking and adjusting. 

We love that many of our clients want to maintain contemporary textiles as well as antique pieces, as these contemporary textiles will be the antiques of the future and the better they are looked after now, the longer they will survive to be enjoyed for the future. 

Do you have an object you would like made, restored or conserved?

Contact the RSN Embroidery Studio Team or visit the website today for bespoke embroidery commissions, restoration and conservation services.

Over recent years, the RSN Embroidery Studio has worked with St Albans Cathedral on large pieces such as the Shrine Canopies for St Albans and St Amphibalus.

They approached us again with a lovely little commission: to produce a funeral pall for a miniature coffin.

For centuries, the burial place of a 15th-century abbot—credited with helping to rebuild the church after the Black Death—was unknown. That changed during excavation work at St Albans, when a skeleton was discovered and later confirmed as the missing abbot, John of Wheathampstead. Following the discovery, it was decided that he should be reburied in the crypt of the Cathedral.

A miniature coffin was made to hold his skeleton, and we were commissioned to create a funeral pall with a design inspired by the roof paintings. It incorporated a gold saltire in the centre against a blue background, symbolising St Alban, the first British martyr. The design was placed on the top of the coffin and was therefore visible to anyone looking into the crypt.

We used a combination of appliqué and surface embroidery, including some metal thread work. Once the embroidery was finished, we constructed the pall just as we would a full-size one, ready for the service to lay him to rest in the crypt.

Do you have an object you would like made, restored or conserved?

Contact the RSN Embroidery Studio Team or visit the website today for bespoke embroidery commissions, restoration and conservation services.

Keep up to date with everything happening at the RSN below!

 

*Online International Summer School Classes:

Castle of Happiness Inspired by Jacobean Embroidered Caskets – 14, 16, 21 & 23 July

Silk Shaded Art Needlework Typography – 14 & 21 July

Vespasian Psalter Inspired Flower – 14, 21, 28 July

*Please note these classes require time for postage of kits, so booking is advised as soon as possible*

 

Events & Exhibitions

New Designers: Graduate Art & Design Showcase, Business Design Centre, London, 2 – 5 July, stand T46

Certificate & Diploma Graduate Exhibition: Hampton Court Palace, Wednesday 2 – Sunday 6 July, 11am to 4pm

Future Tutor Graduate Exhibition: Hampton Court Palace, Wednesday 2 – Sunday 6 July, 11am to 4pm

RSN Scotland Stitch Social: The Glasgow Art Club, Scotland, 19 July 10am-4pm

 

Dates for your Diary

‘Stitched Together: Needlework Research and Making’ Needlework Conference, Hampton Court Palace, 21 & 22 August

‘Divine and Mythical Creatures from the RSN Collection & Archive’ NEW exhibition, Hampton Court Palace, September 2025 – June 2026

Looking for the perfect way to enjoy a later summer/early autumn day? Our RSN Experience Classes offer a memorable blend of creativity and culture. Held in stunning locations, join us for a unique embroidery class and explore historical venues, exhibitions, and gardens.

 

🌷 Hillsborough Castle, Northern Ireland

Tutor: Sonia Lee

Date: Friday 22 & Saturday 23 August

We’re thrilled to return to Hillsborough Castle this summer with two special embroidery classes:

A Wheel of Blackwork Tulips – Explore Goldwork and Blackwork in a lovely floral design.

Native Wildflower  – Master Surface stitches inspired by this delicate native bloom.

As well as an embroidery class, each of these day will include a visit to the Royal Style in the Making exhibition and access to Castle gardens until 6pm.

Book the Wheel of Blackwork Tulips Class

Book the Native Wildflower Class

 

 

🍂 Holburne Museum, Bath

Tutor: Sarah Smith

Date: Friday 12 September

Celebrate the start of autumn with our Silk Shaded Floral Wreath class. Learn a range of elegant stitches and explore the museum’s embroidered objects and the enchanting upcoming exhibition, Illustrating Austen, in honour of Jane Austen’s 250th anniversary.

Book the Floral Wreath Class

 

 

💐 Mapperton House, Dorset

Tutor: Deborah Wilding

Date: Friday 26 September

Back by popular demand! Create this Floral Hearts design, inspired by an exquisite 18th-century embroidered apron from the Earl of Sandwich Collection. Enjoy a highlights tour of the House and meet Viscountess Julie Montagu, who will share the original textile that inspired this special class.

Book the Floral Hearts Class

Meet the second half of our RSN Third year BA (Hons) Hand Embroidery Degree students, and learn more about their Major Projects, which will be on display at New Designers in London next month. 

Philippa Palmer – ‘Red’ 

Red’s emotional and psychological effect is the focus of Philippa Palmer’s current collection. Through her hand embroidery designs, she explores the power this potent colour evokes within the couture fashion industry. This new work takes inspiration from research into the history and psychological effect of the colour. Her work material and concept led, using a range of traditional hand embroidery techniques in a contemporary style.  

Follow Philippa on Instagram 

 

Severina Seidl – ‘Maleficium’ 

Maleficium, the latest work by hand embroiderer Severina Seidl, explores themes of despair and hope, inspired by Krabat, the novel by German author Otfried Preußler. A book that profoundly shaped her youth, it resonated with her as a hopeless romantic and daydreamer, drawn to melancholic narratives. Through her work, she weaves her own stories—tales of dark magic, death, and fear, counterbalanced by the redemptive power of love.  

Follow Severina on Instagram 

 

Stella Buckingham – ‘Rural Idyll’ 

A romanticised, nostalgic evocation of the countryside was the vision for hand embroiderer Stella Buckingham’s collection Rural Idyll. Descended from a long line of farmers, she drew from emotional ties to the lifestyle and her imagination was captured by the link between lacemaking and agriculture within her family. It was this unlikely combination of delicacy and practicality that inspired her theme, which reinterprets the frivolity of 18th-Century pastoral fantasy, with the grounding of a personal perspective. 

Follow Stella on Instagram 

 

Madelaine-Rose Walker – ‘Urban Sirens’ 

The mythical and mysterious Cornish love tale ‘The Mermaid of Zennor’ has been Madelaine-Rose’s inspiration. The tale takes us through an unconventional love story between a Cornish man with perfect pitch and a beautiful stranger who was secretly a mermaid. To portray this enchanting story through hand embroidery, Madelaine-Rose uses the important artform of self-expression to showcase ‘The Mermaid of Zennor’ in her own bold and individual artistic style. 

Follow Madelaine on Instagram 

 

 Alana Holmes – ‘Celestial Embrace’ 

The relationship between the wearer, the garment and the embroidery is of key value to hand embroiderer Alana Holmes’ practice. Celestial Embrace is an embellished wrap that offers the wearer the opportunity to become an integral part of the creative journey, embodying an experience of elegance, grace, and empowerment.  

Ethereal beauty, baroque opulence and the grandeur of religious and royal settings are the creative inspiration used in the design of Celestial Embrace 

Follow Alana on Instagram 

 

Edith Miller – ‘Exoskeleton’ 

Exoskeleton is a sculptural, embroidered bag by hand embroiderer Edith Miller, that reimagines wearable design as a platform for conceptual investigation.  

Inspired by the protective outer shells of barnacles, the work transforms a functional object into a richly textured, highly detailed artefact. Using goldwork embroidery, beads, sequins, and repurposed zips, Edith creates a visual and tactile language that examines the tension between interior and exterior, resilience and vulnerability.  

Follow Edith on Instagram  

 

Lowri James – Cydblethu 

Cydblethu, the new collection of hand embroidery for fashion by Lowri James explores the symbol of the Celtic knot as a representation of endless time. Seeing a connection in the intertwining lines from her Welsh heritage with the thread she knots, manipulates, and draws in her practice, Lowri looked at the theme of memory through instinctively drawing fragments of collected textiles in linear ways.  

Follow Lowri on Instagram 

 

Tilia Svinndal – ‘Apricity’ 

Through her latest work Apricity’, Tilia draws inspiration from her experience growing up surrounded by the ever-changing colours of the seasons in Norway. Her work is a vibrant interpretation of many different elements of her upbringing, where nature’s role plays the most significant part. Finding intrigue in the way nature can carry personal emotions, memories and evoke nostalgia, she uses these experiences in an illustration-led collection, inviting viewers to see the world through her eyes. 

Follow Tilia on Instagram 

 

Would you like to see these pieces in person? 

Come along to New Designers in London this July to see the Major Projects in detail, and to chat to our Degree Graduate Students about their work. 

Follow the RSN Degree on Instagram 

 

We are delighted to share that our two third year Future Tutor Programme students, Lucy May and Eve Commander, will graduate from the programme this July, and will have some of their work on display at Hampton Court Palace in a free exhibition.  

“It feels almost surreal to be graduating from the Future Tutor Programme after three intense years of learning, creating, and juggling family life. 

From mastering historic techniques like Jacobean Crewelwork and Whitework, to creating a Goldwork tribute to Madonna’s corset – and even a fully equipped vampire-hunting box – it’s been a challenging and rewarding journey. Highlights include winning the Mr X Stitch Student Needlework Prize for my Blackwork portrait ‘Handsome Devil’, and coming Runner-Up in the National Embroidery Awards for my suffragette-inspired piece ‘Offence’. 

This final year has been especially rewarding, working in the RSN Embroidery Studio alongside the talented professional embroiderers who taught and inspired us – women of remarkable talent and generosity. 

I’ve learned a lot about what I’m capable of, and I’m looking forward to continuing to grow as an artist and teacher – starting with my ‘Memento Mori’ Pin Cushion, my first class as a fully qualified RSN Tutor at Hampton Court Palace this August!” 

– Lucy May 

 

“The last three years on the Future Tutor Programme have been an absolute whirlwind. It’s been an intense period of technical learning and creative output, as well as physically demanding too! 

I’ve really enjoyed learning historical techniques and creating a wide range of pieces, from a Goldwork space scene to an Appliqué of my hometown of Birmingham. 

I have learned so much from the extraordinarily skilled embroiderers who have taught me each technique, shared their expertise in the RSN Embroidery studio and I have been able to assist on the RSN’s Day Classes.  

I’ve also enjoyed teaching workshops at the Knitting and Stitching Shows in Harrogate and London and I hope I’ll do more teaching, after we finish in June.  

In the meantime, I am delighted to have the chance to exhibit my embroidery alongside RSN Apprentice and Future Tutor alumni in ‘Hand Stitched Heritage’ at the Royal West of England Academy this May and June. If you told me before the programme I’d have work exhibited in a gallery, I wouldn’t have believed you.” 

 – Eve Commander  

 

You can see Lucy and Eve’s work on display at the Future Tutors Graduate Show from Wednesday 3 to Sunday 7 July, from 11am to 4pm, in the RSN Embroidery Studio; the work will be displayed alongside the RSN Certificate & Diploma in Technical Hand Embroidery Graduates’ work. 

You can enter the exhibition free of charge via the Palace gardens and through the RSN Shop located on the East Front Gardens. If you wish to tour the Palace during your visit, a ticket will need to be purchased separately. 

You can watch the Graduation Ceremony and Awards by tuning in to our Instagram Livestream at 11am on Monday 1 July, to see Lucy and Eve graduate.  

 Make sure to follow @royalneedlework on Instagram to watch live! 

 

We are so proud of everything Lucy and Eve have achieved over the past three years, and we can’t wait to see what they go on to next!  

Follow Lucy May on Instagram 

Follow Eve Commander on Instagram  

 

We would like to congratulate all the students who will be graduating the RSN Certificate & Diploma in Technical Hand Embroidery this summer! 

To celebrate their graduation, we are excited to be holding an exhibition with a curated selection of their work, from Wednesday 2 – Sunday 6 July at Hampton Court Palace, from 11am to 4pm. RSN Future Tutor Graduates, Lucy May and Eve Commander, will also have their work on display at the exhibition.  

The exhibition will be free of charge via the Palace gardens and through the RSN Shop located on the East Front Gardens. If you wish to tour the Palace during your visit, a ticket will need to be purchased separately. 

Unable to attend the ceremony? 

If you are unable to attend the ceremony in person, we will be live streaming the Graduate Ceremony and Awards via our Instagram page, on Monday 30 June at 11am UK time.   

Make sure to follow @royalneedlework on Instagram so that you can watch the ceremony live! 

If you are interested in joining the Certificate & Diploma, attend our next Online Information Session on Monday 16 June.  Book your place here 

 

Work by:

RSN Certificate student Amanda Hogan

RSN Certificate student Melanie Usher

RSN Certificate student Carol Ann Hopper

This month, the RSN Shop has selected some exquisite products inspired by the magnificent Hampton Court Palace, home of the Royal School of Needlework. 

Enjoy our range of historic kits, books and equipment that celebrate the breathtaking architecture and grounds of the Tudor Palace.

See some on the items below! 

Canopied with Flowers: Tudor Textiles   

Shop our full regal range here 

RSN Scotland invites you to a Stitch Social at The Glasgow Art Club on Saturday 19 July, 10am to 4pm. 

Join the RSN’s Scottish branch for a Stitch Social day of embroidery at The Glasgow Art Club, where the RSN teaches hand embroidery in Scotland. 

This is a free drop in event so come with your friends, on your own, for five minutes or all day! You can bring along any embroidery work with you, join others on a project at the venue, or simply socialise with fellow stitchers. 

On the day, Stitch Social visitors will be invited to add more stitching to the ‘Processions’ banner which was created by RSN Scotland students for the march in 2018, in Edinburgh.  ‘Processions’ was a mass participation artwork that took place across several British cities.  

Tens of thousands of women marched “forming a living portrait of women in the 21st century and a visual expression of equality, strength and cultural representation”.  It celebrated 100 years of when British women won the vote. Those marching wore the purple, green and white colours of the suffragette movement, with many holding banners, which they had created, including RSN Scotland. 

Entry to the event is free, just ring the Glasgow Art Club doorbell on arrival; refreshments will be available for purchase at the venue. 

This will be a wonderful social event at RSN Scotland and we really look forward to seeing you there! 

 

Learn more about RSN Scotland here 

Join our next C&D Open Day 

 

*work by RSN Scotland Certificate student Paula Reynolds*

We are delighted to be returning to Northern Ireland this August with two stunning RSN Experience classes in partnership with Hillsborough Castle and Linen Biennale 2025.  

Stitch with us on 22 or 23 August, and learn either Surface Stitches with our stunning Snake Head Fritillary Native Wildflower motif, or learn Goldwork with our glorious Wheel of Blackwork Tulips, and enjoy a visit to the acclaimed Royal Style in the Making exhibition. 

Spaces are limited, so be sure to book soon to avoid missing out on this special experience! 

See the Native Wildflower Class: https://bit.ly/3Z6dVJm  

See the Wheel of Blackwork Tulips Class: https://bit.ly/44YqnhX  

Learn more about the Royal Style in the Making exhibition at Hillsborough Castle here  

See all the classes, Online Talks, Exhibitions and more happening at the RSN this month! 

 

Online Day & Evening Classes 

A Wheel of Blue Leaves: Weekly, from Sunday 15 to Sunday 22 June  

 

Hampton Court Palace Classes 

Introduction to Box Making: ‘Nigella Initial Box’: Saturday 7 & Sunday 8 June 

Carnation: A Reticello Design: Saturday 21 & Sunday 22 June  

Colour In Flight: Puffin: ‘Combining Painting, Coloured pencil and Stitch’: Saturday 28 & Sunday 29 June 

 

Live Online Talks 

The RSN Collection & Archive:  Behind the scenes of the RSN Collections website, FREE TALK: with RSN Curator Dr Isabella Roser & Guests, Wednesday 25 June, 7pm GMT 

 

Events & Exhibitions  

New Designers: Graduate Art & Design Showcase, Business Design Centre, London, 2 – 5 July, stand T46 

‘Handstitched Heritage’: RWA Bristol, until 15 June, an exhibition of RSN Apprentice and Future Tutor Alumni work 

Certificate & Diploma Graduate Exhibition: Hampton Court Palace, Wednesday 2 – Sunday 6, 11am to 4pm 

Future Tutor Graduate Exhibition: Hampton Court Palace, Wednesday 2 – Sunday 6, 11am to 4pm 

Certificate & Diploma Online Info Session: Monday 16 June, 9am GMT 

RSN Scotland Stitch Social: The Glasgow Art Club, Scotland, 19 July 10am-4pm

 

In the wake of the 2023 film ‘Napoleon’, the RSN Embroidery Studio restored the embroidery on two Napoleonic chairs.

The client purchased the two chairs from an auction house, and they came with a provenance suggesting that Napoleon himself owned them, and they were in his home. The border and central design were embroidered in a silver gilt, on a silk velvet. Considering the age of the embroidery, it was in relatively good condition with only sporadic purls missing from the padded cut work. However, the silk velvet had completely worn through in many places and on one chair the central motif had completely detached itself from the fabric around it.

The velvet was matched to the original and, in conjunction with the client, a fine cotton velvet was chosen. This will have greater longevity than a silk velvet. Before the transfer, the pieces were lightly surface cleaned to remove any dust, dirt and debris. The embroidery was removed from the original velvet and transferred onto new velvet, making sure that the positioning was the same as the original. The team took copious measurements and diagrams to ensure this was achieved. Once the pieces were stitched into place, they were edged with a self-coloured thread to blend it with the new velvet. Once completed, the client used their upholsterer to restore the chairs and mount the embroidery onto them. Now complete, the chairs have returned to glorious pieces of furniture they once were.

Image credit: Ogled Antiques

Do you have an object you would like made, restored or conserved?

Contact the RSN Embroidery Studio Team or visit the website today for bespoke embroidery commissions, restoration and conservation services.