Hannah Cadogan

After qualifying and working at the Royal School of Needlework, Hannah went on to qualify from King College, London as a nurse. However, sadly, in 2007 Hannah was sectioned under the Mental health Act and was diagnosed with a serious mental illness. Throughout this time, Hannah used embroidery as a therapy when she was out of hospital, as the restrictions in acute mental health units made doing embroidery difficult.

In 2020, Hannah was able to return to nursing and works as a Palliative Care Nurse in London and is the Royal College of Nursing Representative for Lived Experience. Hannah is very open about her serious mental illness and about how embroidery helped her therapeutically. Due to this Hannah has held sewing groups within her mental health trust. In addition, Hannah worked on the Grenfell quilt and presently is leading on a project at the Cassel hospital (hospital that saved Hannah’s life) which is being completed by past and present staff, patients and their carers.

Hazel Arnott

Hazel grew up in Yorkshire and has been deeply drawn to embroidery and other needlecrafts from a young age. After earning a BSc in Archaeology, it felt natural for her to continue to the RSN apprenticeship. She then pursued an MA in the Conservation of Tapestries and Textiles in Historic Interiors at the Royal College of Art, in collaboration with the V&A and Historic Royal Palaces.

Following her MA, Hazel worked at the National Trust Textile Conservation Studio in Norfolk while also teaching, before becoming a freelance textile conservator and specialist embroiderer in 2009, primarily working with Zenzie Tinker Conservation in Brighton. Hazel specializes in traditional hand embroidery techniques, drawing significant inspiration from historical sources. She particularly enjoys canvas shading, goldwork, free-style embroidery, box making and other 3D objects, as well as crochet.

Heather Lewis

Heather is a professional hand embroidery artist and tutor based in York with over twenty years of experience. During her training on the RSN apprenticeship she gained valuable experience in all aspects of hand embroidery, but one of Heather’s passions is in the creation and preservation of vestments and ecclesiastical embroidery. During her eight years working in the Studios at the RSN, Heather helped with the production of altar frontals for Wells and Canterbury Cathedrals and has also taught several specialist groups. Her most recent book ‘Ecclesiastical Embroidery’ was published in 2024. Heather’s first book ‘RSN Embroidered Boxes – techniques, projects and pure inspiration’ was published by Search Press and she is also the tutor for the RSN online course in box making which launched in 2023.
Heather now pursues a freelance career; stitching, designing embroidery kits and teaching a variety of techniques in York and delivering workshops to groups around the world.

Helen McCook

Helen McCook has enjoyed creating a career which enables her to pursue a variety of passions by combining her love of technical stitch with robust yet intricate design, her ability to express concepts, theory & practical techniques in approachable ways plus her obsession with history of decorative & fine arts which stems from her gusto for the stories & anthropology of people. Particular highlights for her to date have been being part of the team who helped to create the wedding dress, veil & shoes for the marriage of the Prince & Princess of Wales, Prince William & Katherine Middleton, being part of the team to work on the Coronation projects for His Majesty King Charles III & Queen Camilla, working on high fashion embroideries which has featured in fashion week but also in publications such as Vogue, being commissioned to create embroidery for a new altar frontal for an American Basilica & creating embroideries & embellishments for Broadway & West End shows.

Helen Richman

Helen Richman regularly teaches embroidery classes at the RSN and has taught day classes across the UK as well as in the United States and Canada. Her embroidery journey began when she joined the RSN and completed the three-year apprenticeship in 2009, gaining expert knowledge in many fields of hand embroidery.

Helen now runs her business The Bluebird Embroidery Company and has completed several high profile commissions including one from the Royal Mail, Ely Cathedral and also designs and sells her own range of embroidery kits.

Having written articles for New Stitches Magazine and Stitch Magazine, Helen’s book ‘Stumpwork Embroidery: Techniques and Projects’ was published in 2017.

In 2023, Helen was honoured to be part of the Embroidery Studio team at the Royal School of Needlework who worked on a number of items for the Coronation of Their Majesties King Charles III and Queen Camilla, including The Queen’s Robe of Estate and the Anointing Screen.

Jennifer Goodwin

Jennifer graduated from the Royal School of Needlework’s apprenticeship scheme in 2003, and shortly after, founded Jen Goodwin Embroidery. Initially, she offered a small range of embroidery kits and occasional workshop tuition on a part-time basis.

Her decision to take the leap into full-time self-employment came after working in the RSN studio on the wedding dress of the Duchess of Cambridge. Reinvigorated by the opportunity to work on more ambitious projects, Jennifer was inspired to dedicate herself to stitching every day.

On June 1st, 2013, she moved into her permanent studio space at Walford Mill Crafts, where she now teaches a variety of courses and spends most of her time stitching intricate and highly detailed art embroidery pieces.

In 2023, Jennifer was honoured to be part of the Embroidery Studio team at the RSN that worked on several items for the Coronation of Their Majesties King Charles III and Queen Camilla.

Jenny Adin-Christie

Jenny is a professional embroidery artist, celebrated for her innovative slant on traditional stitch and inspirational teaching. She graduated from the Apprenticeship with distinction in 1996, becoming Assistant Head of Studio and a senior tutor. She has been privileged to work on a huge array of commissions, many of national significance: designing the All Seasons Altar Frontal for Canterbury Cathedral, gloves for the Lord Chief Justice and playing a key role in the production of the applied lace panels for the wedding dress of HRH the Princess of Wales. She now works full time from her studio in Surrey, working to commission, for a broad range of clients, from private individuals to organisations in the fields of interiors, couture and religion. She creates a range of unique, innovative embroidery kits and provides workshops around the world in the UK, France, New Zealand, Australia, India, USA and Canada.She is the author of: ‘Fine Whitework’, published by the RSN and Search Press.

Jessica Aldred

Jessica Aldred graduated from the RSN in 2004 and has since co-authored a book called Adventures in Needlework, taught internationally and carried out many public and private commissions. Most notably she was proudly a member of the team who created the embroidery for the wedding dress and veil for the Princess of Wales and she worked on embroidery projects for the King’s coronation. She also demonstrated embroidery to the late HRH Her Majesty The Queen and taught at the V&A Museum as part of their exhibition ‘Frida Kahlo: Making Her Self Up.

Jessica now lives in West Yorkshire and has an embroidery studio in the iconic Dean Clough Mills in Halifax from which she teaches hand embroidery and art for well-being workshops. She also works for Purple Patch Arts, a charity providing creative education to learning disabled and autistic adults.

Jessica Ingram

Before coming to the Royal School of Needlework, Jessica worked as a Costume Assistant in the entertainment industry for several years. Jess has always had a passion for history and an interest in traditional crafts. In 2017 she joined the Future Tutors program at the RSN. Since graduating Jess has been teaching day & evening classes with the RSN, providing embroidery kits for the RSN shop and working in the RSN Embroidery Studio. As well as doing her own private commissions, from embroidered book covers to wedding jackets. In 2023, Jess was honoured to be part of the Embroidery Studio team at the Royal School of Needlework who worked on a number of items for the Coronation of Their Majesties King Charles III and Queen Camilla, including The Kings Robe of State, The Queen’s Robe of Estate, the Anointing Screen, Chairs of State and the Stole Royal.

Jill Kipnis

Jill believes that embroidery is more than just a craft; it’s a means of self-expression and a path to inner peace. Jill’s mission is to inspire creators of all levels, helping them transform “I can’t” into “I can” I believe that teaching is not
merely about showcasing what she can do but rather about empowering
her students to achieve their creative aspirations. Her journey began with her mum, whose love for crafting ignited her fascination with needle and thread. Thanks to her mother’s encouragement and the skills she gained at school, she quickly discovered her love for sewing. This passion blossomed, leading her to an apprenticeship at The Royal School of Needlework, where she mastered traditional hand embroidery techniques. She also holds a BA Hons in Textiles & Fashion, which enriched her understanding of design, free-motion machine embroidery and fabric manipulation.

She has authored several books on embroidery and shared her insights
on BBC Radio London. Her writing has appeared in Stitch
Magazine, and she has spoken at various national textile groups,
including the Embroiderers Guild. She’s also led engaging workshops at
the Knitting & Stitching Shows and the Stitch Festival. For several
years, she has provided lessons from her North London home and taught
regional groups nationwide. She specialises in teaching people how to
design for embroidery. Jill’s private one-on-one lessons leverage years of experience in all facets of embroidery. One of her proudest achievements was creating a community textile collage funded by the Arts Council of England to celebrate Queen Elizabeth’s Platinum Jubilee. This project united diverse groups— including regular sewers, dementia patients, and children on free school meals—showing the unifying power of stitch and fabric. She loves helping bring groups together through stitch.

Jung Byun

Graduating from the RSN’s Future Tutors programme in 2019, Jung previously earned a First-Class Honours Degree in Clothing and Textiles in 1993. She then worked as a fashion trend forecaster, reporter, and organic clothing trader. As a passionate art lover and quilter, Jung decided to pursue her interests further by embarking on a second career as a teacher of hand embroidery.

Her appliqué piece of Hampton Court Palace was featured in Made in Britain magazine, and her award-winning work, Peacock Mirror, was exhibited both at the RSN’s 150th-anniversary celebration exhibition and a London gallery.

Jung is actively promoting the exchange of Korean and UK hand embroidery education in both countries, aiming to foster a deeper cultural connection between Korea and the UK.
In 2023, Jung was honoured to be part of the Embroidery Studio team at the Royal School of Needlework who worked on the  Anointing Screen for the Coronation of Their Majesty King Charles III and Queen Camilla.

Our Current Fellows

A – G

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Abigail Carter, Alexandra Makin, Amanda Rymel, Angela Bishop, Anita

Harrison, Auburn Lucas, Chrissie Juno-Mann, Deborah Wilding,

Debra Jackson, Emma Broughton

K – Q

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Kate Barlow, Kate Cross, Kate Pankhurst, Kathryn Sanders, Kristina Clarke,

Lizzy Pye, Liz Tapper, Marg Dier, Masako Newton, Matthew Cayton,

Nao Nagamura, Nicola Jarvis, Natalie Rowe, Nicola Fairhurst

R – Z

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Rebecca Quine, Sara-Jane Dennis, Sarah De Rousset Hall,

Sarah Homfray, Sarah Smith, Shelley Cox, Sonia Lee, Sonja Galsworthy,

Sue Kim, Tracy A. Franklin, Zina Kazban, Zoe Patching