To meet its need for more teachers, the RSN established the Future Tutors Programme in 2012. This is a three-year full-time programme that takes students through all the RSN techniques in great detail. Students must achieve at least a merit; this makes the course very demanding .
The Future Tutors Programme incorporates elements from the Apprenticeship such as Creative Box, and culminates in the Signature project. This enables students to create a piece with no specific brief other than to develop something dynamic, which can be in one technique or many. Future Tutors also enter the Hand & Lock Prize for Hand Embroidery, and won the Textile Arts Award with very different pieces in 2020 and 2021.
This section shows how the Future Tutors are challenged to take both technical excellence and aspects of design to the next level. A number of these pieces have been selected for exhibition and awards outside the RSN.
Increasing the number of RSN tutors has enabled the School to expand its range of courses, such as the Summer School, which will take place in 2022 both online and at Hampton Court Palace.
Tapestry Silk Shading
2019
Silk and cotton threads
Jess Ingram
Tapestry Silk Shading based on the character of Lady Sybil, the first at Downton Abbey to wear harem trousers This piece shows the full size figure that the Future Tutors work which gives an extra challenge when embroidering the face, hands and feet.
Appliqué and Stumpwork
2014
Cotton, bead, wadding, wood, cotton threads
Deborah Wilding
For her piece Deborah took the theme of the Princess and the Pea using a variety of fabrics to build the many mattresses. The Princess is a Stumpwork figure which means that she is three-dimensional as can be seen from the face and hands. If you look closely, you can see the pea at the bottom of the pile of mattresses.
Canvas Shading
2019
Canvas and wool thread
Anita Harrison
Canvas Shading is about rendering a fully believable 3D object through two-dimensional stitch, made more complex by the physical holes in the canvas dictating the stitch length and structure. This avocado looks solid and as though it could be picked up and eaten.
Creative Box
2017
Cotton, cards, wool, cotton thread
Sara Jane Dennis
Creative box is where students make a box which has to be decorated appropriately. It has to have moving parts, a hidden drawer and for the embroidery to continue across sides and joins. Sara Jane added koi carp to her bento box as well as the sushi rolls.
Creative Box
2020
Cotton, linen, card, cotton threads
Kathryn Sanders
This playful stack of books (the book titles include Stitch and Stitchability, the Voyage of the Dawn Threader) is an homage to stitch. It contains secret drawers and great attention has been paid to creating the book pages, end papers and spines.
Creative Box – Speke Hall
2020
Digital print, wool and cotton embroidery, cardboard and cotton fabric
Kate Pankhurst
This creative box is a tour-de-force combining digital print with hand making of all the boxes and embroidery of the plants. It fits together around a square base but opens out to show all its elements.
Signature Project
2016
Cotton, beads, and a variety of stitch techniques
Kate Barlow
The signature project was introduced at the end of the Apprenticeship and continues on in the Future Tutors Programme. The aim is for the student to have the equivalent of the Degree Final Major Project, an opportunity to mix various techniques to decide on a project from start to finish as their signature for the future. This piece is a quarter size dress featuring the candy-stripe of sweet bags and at the top of the dress are three-dimensional or raised embroidery sweets.
Signature Project – Lockdown o’Clock
2021
Metal, metal threads, cotton threads
Kate Pankhurst
This very ‘of the moment’ piece was the winner of the Hand and Lock prize for Textile Art 2021. As Kate’s final piece on the course it combined many of the techniques she had learned on the way. On the front it shows the phases of the moon because time seemed to slow down during lockdown, but on the other hand, at time it flew, so hence the wings, and then on the back is a view of London from Kate’s balcony which she now had time to study from her one bit of outdoor space.