To meet its need for more teachers, the RSN established the Future Tutors Programme in 2012. This is a three-year full-time programme that takes students through all the RSN techniques in great detail. Students must achieve at least a merit; this makes the course very demanding .

The Future Tutors Programme incorporates elements from the Apprenticeship such as Creative Box, and culminates in the Signature project. This enables students to create a piece with no specific brief other than to develop something dynamic, which can be in one technique or many. Future Tutors also enter the Hand & Lock Prize for Hand Embroidery, and won the Textile Arts Award with very different pieces in 2020 and 2021.

This section shows how the Future Tutors are challenged to take both technical excellence and aspects of design to the next level. A number of these pieces have been selected for exhibition and awards outside the RSN.

Increasing the number of RSN tutors has enabled the School to expand its range of courses, such as the Summer School, which will take place in 2022 both online and at Hampton Court Palace.

Tapestry Silk Shading

2019

Silk and cotton threads
Jess Ingram

Tapestry Silk Shading based on the character of Lady Sybil, the first at Downton Abbey to wear harem trousers This piece shows the full size figure that the Future Tutors work which gives an extra challenge when embroidering the face, hands and feet.

Natural Silk Shading

2014

Silk and cotton threads
Kate Barlow

The budgie is beautifully worked and set off against the vibrant shades of the background. This piece was selected for the 2015 Royal Academy Summer Exhibition which is a rare honour for a piece of embroidery.

Appliqué and Stumpwork

2014

Cotton, bead, wadding, wood, cotton threads
Deborah Wilding

For her piece Deborah took the theme of the Princess and the Pea using a variety of fabrics to build the many mattresses. The Princess is a Stumpwork figure which means that she is three-dimensional as can be seen from the face and hands. If you look closely, you can see the pea at the bottom of the pile of mattresses.

Canvas Shading

2019

Canvas and wool thread
Anita Harrison

Canvas Shading is about rendering a fully believable 3D object through two-dimensional stitch, made more complex by the physical holes in the canvas dictating the stitch length and structure. This avocado looks solid and as though it could be picked up and eaten.

Blackwork

2018

Linen, metal and black threads
Sarah de Rousset Hall

Based on the iconic photograph by Sukita, this piece updates the use of black and gold thread from the 1950s.

Stumpwork

2018

Amy Burt

An iconic image from a London concert of the one and only Freddie Mercury in Raised Embroidery.

Creative Goldwork

2017

Velvet, lace, cotton, metal chain and metal and cotton threads, glass
Angela Bishop

This piece is based on a portrait of Anne of Denmark at Hampton Court Palace which Angela saw one day at lunchtime and was inspired to work this piece for her creative Goldwork.

 Whitework

2016

Cotton and lace, front linen and white cotton thread
Auburn Lucas

From a background in costume Auburn made this new front for the typically Edwardian jacket.

Creative Box

2017

Cotton, cards, wool, cotton thread
Sara Jane Dennis

Creative box is where students make a box which has to be decorated appropriately. It has to have moving parts, a hidden drawer and for the embroidery to continue across sides and joins. Sara Jane added koi carp to her bento box as well as the sushi rolls.

Creative Box

2020

Cotton, linen, card, cotton threads
Kathryn Sanders

This playful stack of books (the book titles include Stitch and Stitchability, the Voyage of the Dawn Threader) is an homage to stitch. It contains secret drawers and great attention has been paid to creating the book pages, end papers and spines.

Creative Box – Speke Hall

2020

Digital print, wool and cotton embroidery, cardboard and cotton fabric
Kate Pankhurst

This creative box is a tour-de-force combining digital print with hand making of all the boxes and embroidery of the plants. It fits together around a square base but opens out to show all its elements.

Signature Project

2016

Cotton, beads, and a variety of stitch techniques
Kate Barlow

The signature project was introduced at the end of the Apprenticeship and continues on in the Future Tutors Programme. The aim is for the student to have the equivalent of the Degree Final Major Project, an opportunity to mix various techniques to decide on a project from start to finish as their signature for the future. This piece is a quarter size dress featuring the candy-stripe of sweet bags and at the top of the dress are three-dimensional or raised embroidery sweets.

Signature Project

2019

Mirror glass, cotton, feather, cotton thread
Jung Byun

This three-dimensional Peacock mirror won the Broderers Award at the Hand and Lock Awards 2019. It is decorated on both sides, the main peacock on the back with tail feathers curling round the mirror on the other side.

Signature Project

2020

Linen and cotton thread
Martha Blackburn

This is one of six pieces by Martha which won the Hand and Lock prize for textile art in 2020, along with the RSN prize for technical stitch. Every aspect of this portrait is hand stitched.

Signature Project – Lockdown o’Clock

2021

Metal, metal threads, cotton threads
Kate Pankhurst

This very ‘of the moment’ piece was the winner of the Hand and Lock prize for Textile Art 2021. As Kate’s final piece on the course it combined many of the techniques she had learned on the way. On the front it shows the phases of the moon because time seemed to slow down during lockdown, but on the other hand, at time it flew, so hence the wings, and then on the back is a view of London from Kate’s balcony which she now had time to study from her one bit of outdoor space.