This autumn, we ran our USA Fall C&D Intensive from Fredericksburg, Virginia with the help of one of our students, LaTonya Harrington who has kindly been overseeing our storage. The classes were held at the Residence Inn in Fredericksburg.

RSN Tutors Tracy Franklin and Kathryn Sanders were teaching the course, and Anne Butcher, our Head of Studio & Education was there to double check the venue and find out more about the area. The students arrived and settled into their space well with a range of techniques taken, including Jacobean Crewelwork, Canvas Stitches, Blackwork, Silk Shading, Whitework and Advanced Goldwork.

It was lovely to see our students working together and supporting each other. After the C&D Intensive finished, Kathryn taught one of our special 150th Anniversary Day Classes designed by RSN Tutor Deborah Wilding. The beautiful design was inspired by the souvenir catalogue, which accompanied the 1953 exhibition celebrating the coronation of Queen Elizabeth II.

The hotel, Residence Inn, were very supportive before and during our stay. In fact, even several of the hotel guests came to see what our students were up to along with a young waitress who stitched and was interested to find out more.

If you would like to find out more about our Certificate & Diploma Course, please book onto our next Online Open Day at 1pm on Wednesday 18 January and start 2023 with a new challenge. We teach Onsite across the UK, in the USA, in Japan and Online.

Book here 

The Residence Inn Fredericksburg is located between Washington, DC and Richmond, VA and an easy commute to Marine Corps Base Quantico, Dahlgren Naval Base, Fort A.P. Hill and Fort Belvoir. It is an extended stay property consisting of spacious suites that include fully equipped kitchens and separate living areas making the hotel the perfect home away from home.

Last month, our Embroidery Studio worked on the magnificent Hammercloth, which hangs on the royal box at the Royal Albert Hall.

A Hammercloth is a large decorative piece of heavy fabric, often fringed and richly adorned with embroidery, gemstones and cloth of gold. Embroidery work of this Hammercloth was needed in preparation for the Festival of Remembrance hosted by the Royal British Legion at the Royal Albert Hall. This is a commemorative event dedicated to all those that have served and sacrificed from Britain and the Commonwealth. In attendance would be members of the Royal Family, including Their Majesties King Charles III and the Queen Consort.

The Hammercloth at the Royal Albert Hall was originally embroidered and constructed by the RSN in 1876. The job now was to change the letter ‘E’, denoting Queen Elizabeth II, to the letter ‘C’ for King Charles III in time for his visit.

The Studio embroiderers had to make sure the new letter matched the exact font and the cloth. They began by removing the letter E and preparing the velvet ready for the new motif to be applied. Suitable fabrics and threads were selected from our vast collection of vintage and contemporary supplies, which needed to be sympathetic with the surrounding embroidery and Appliqué. Once applied the new letter C was edged with a hand dyed silk thread and the lining fabric was re-secured. This was the sixth time that the RSN had changed the letter.

The Hammercloth was seen in all its glory on the BBC 1 who broadcast the festival. 

Royal British Legion Festival of Remembrance 

Royal Albert Hall

RSN Embroidery Studio

Image 1 © Royal Albert Hall

We are delighted to be included in the new book ‘Craft Britain: Why Making Matters’ and be part of their exhibition ‘Bespoke for a Book’ in aid of the Prince’s Foundation.

The book is written by Helen Chislett and David Linley and is a celebration of British craft both heritage and contemporary. It features makers from a range of crafts including architecture, interiors, fashion, art and design. As part of the launch of the book, some of the makers featured have created unique boxes or bags for the book, which will be on display at the ‘Bespoke for a Book’ exhibition.

The RSN Embroidery Studio has created a beautiful handmade book cover. The unique design features a floral decoration using a mixture of traditional hand embroidery techniques, including Appliqué, Goldwork and Surface Stitches.

The luxurious design is on a silk fabric background and includes a combination of twisted silks and metal threads for the flowers; applied metallic tissue edged with metal threads for the leaves; and a pretty embellishment of tiny pearl beads to give contrast. The floral design was inspired by our unique Textile & Archive Collection and was a design originally produced for a collar, dating to the late 1940s, early 1950s.

The highly skilled embroiderers in our Embroidery Studio also handmade the cover, which has been mounted and constructed as a book sleeve. The clever team thought of everything and even attached a ribbon to the cover to ease taking the book out when being read.

The aim of the exhibition is both to raise funds for the Prince’s Foundation, which does so much to encourage new generations of makers, artists and designers into the craft sector, while also showcasing a wide variety of master craftsmanship across all sectors.

‘Bespoke For A Book’ is open from 7 – 16 December at The Garrison Chapel, Chelsea Barracks in London. This fine Grade II-listed building is the London exhibition space of the Prince’s Foundation, exhibiting elements of its work, with a particular emphasis on traditional arts and heritage craft skills. Entrance to the exhibition is free. (NB; the exhibition is closed on 10 and 11 December).

For further information on the exhibition, please visit the Garrison Chapel website 

Read more about the RSN Embroidery Studio here

Read more about The Prince’s Foundation 

If you weren’t able to visit our exhibition ‘150 Years of the RSN: Crown to Catwalk’ at the Fashion and Textile Museum, (or wish to see it again!), we are delighted to be able to bring elements of the exhibition to you virtually.

As part of our continued 150 celebrations, we are featuring many of the pieces that were on display at our exhibition on our website, so that you can enjoy them wherever you live. The exhibition takes you through the RSN’s remarkable history, from collaborations with the great names of the Arts and Crafts movement in the 1890s to current pieces by our talented students.

VIEW OUR VIRTUAL EXHIBITION

If you would like a catalogue showcasing all the pieces from the exhibition, you can purchase it here.

Ubroken Thread: Celebrating 150 Years of the Royal School of Needlework written by RSN Chief Executive Dr Susan Kay Williams, published by ACC Art Books, £35. Available to purchase here.

You can buy both items together at a special bundle offer here.

View the Virtual Exhibition and immerse yourself in our journey from 1872 when we were founded to the current day, 150 years later.

RSN Stitch Bank continues to grow in awareness and in the number of stitches featured on the site. As part of our anniversary celebrations this weekend, we have added another 25 stitches today, giving a total of 275 stitches!

RSN Stitch Bank is an incredible resource, featuring videos, written instructions, illustrations and photographs for each stitch. It also includes history of its use and images of the stitch on items from the RSN Textile Collection.

RSN Stitch Bank is available online via the website rsnstitchbank.org and is a unique resource for all stitchers, teachers, curators, historians, researchers and students. Stitchers are able to find a new stitch to use in a project and learn how to work it. Researchers, curators, historians and students can use the site to learn about the use, structure and history of each stitch, in a range of embroidery techniques, and to identify individual stitches on a textile.

RSN Stitch Bank has been made possible thanks to a number of charitable trusts and many individual donors who have ‘Adopted a Stitch’ for themselves, for a friend or for a parent or grandparent who first taught them to stitch. If you would like to support the project and ‘Adopt a Stitch’, visit royal-needlework.org.uk for more information.

View rsnstitchbank.org 

 

Santa’s RSN helpers have been working hard to bring some early festive cheer into our hearts and have put together a number of fun seasonal stocking fillers. Each beautifully wrapped inspiration pack has been carefully curated by colour, with no two boxes being the same.

Suitable for all types of embroidery, crafts or quilting; the stocking filler is a mystery box ready to hang on the Christmas tree, give to a friend or keep yourself. Each pack contains a unique selection of threads, beads, buttons, braids, sequins, and small pieces of fabric or ribbon.

All the packages have been made from unused donated items and every purchase goes towards supporting the school. Thank you for supporting us and contributing to our future. Each pack costs £15

Christmas Inspiration Kits 

Christmas Shop 

The RSN Embroidery Studio has joined forces with Jay Blades, the face of the hit BBC One Show The Repair Shop. This creative partnership has combined expertise and unrivalled craftsmanship to breathe new life into two iconic chairs, which were recently launched at the luxury interior design exhibition, Decorex.

The RSN Embroidery Studio is renowned for its exquisite hand embroidery work, in particular for the Royal Family, including the wedding dress of Kate Middleton and Coronation Regalia of monarchs throughout the years. Jay Blades is an expert restorer of high-quality furniture, breathing new life into each piece to create unique results in a sustainable way.

Jay Blades and our expert embroidery team first met at Decorex in 2021 and have been working together for the past year. The project was to upcycle two Parker Knoll chairs, redesigning them with innovation and creativity to give them a new story to tell.

The Parker Knoll chairs were chosen as the company share the same strong values as us, using a highly skilled team of expert craftsmen and hand making the best British product to the highest standard and quality. Like the RSN, Parker Knoll has also been established for over 150 years.

First, a unique Art Nouveau design from our unique Archive & Collection was selected as an inspirational image for the backs of the chair. The design was pre-1920s and focused on nature, featuring an exotic bird in a fruit tree. The next step was to choose a colour scheme. Blue, green and terracotta, with a touch of copper and gold supplied the perfect combination of earth tones and natural metals. The design was then only part stitched to convey the effect of climate change and deterioration of the planet.

The same design was featured on both chairs, but with a different stitched emphasis. On one chair, the brightly coloured tail of the bird was hand embroidered using a vibrant terracotta thread and couched metal thread. On the second chair, the quince fruit was the focus with a Pearl Purl detailing. Both designs used the hand embroidery technique of Appliqué.

Anne Butcher, Head of the RSN Embroidery Studio said:

“It has been wonderful to work with Jay and to explore ways to promote an environmental message. Everything we do is by hand in our Studio at Hampton Court Palace, using the traditional art of hand embroidery techniques. We also have the infamous ‘Wall of Wool’ in our Studio, which is home to a rainbow of threads, many of which have been donated. These threads are reused in our projects, for both conservation and restoration work as well as new commissions.”

Jay Blades said:

“It has been such a great experience to work together with the RSN, not only do I love to collaborate, but I also got to learn some embroidery! This chair has brought a pair of well-known Parker Knoll designs up to date with the use of wood restoration, wool fabric from Camira and beautiful embroidery”

The team at Jay & Co expertly reupholstered the chairs, providing two stylish, luxurious chairs that offer the ultimate comfort. As a final touch, a small band of bright orange was added to one leg of each chair, the Jay & Co trademark. The chairs are available for sale.

Please contact: [email protected] for more information.

The RSN is a small organisation so we cannot report that regular proportions of our income come from legacies, but what we can say is that because we do not receive legacies regularly, every legacy really makes a difference. It is noticed and appreciated, regardless of size and will be put to good use.

One of the largest legacies for some time, over £200K has come from former Life Friend Susan Knight of Canada. Susan visited the RSN on a number of occasions but was never more delighted than when we visited Toronto. Her wonderful gift will enable us to start the Digitisation programme, it will also be put towards underwriting the new staff posts we desperately need but do not currently have the budget for. Then some will go to support our overall financial position, generating interest that will help us to give more student bursaries for which there is only going to be more demand.

As someone who could not get to Hampton Court Palace as often as she wished, I am sure Susan would be thrilled to know her money will support Digitising the Collection and Archive, giving many more people the opportunity to access some of our wonderful pieces.

Over the decades, legacies have transformed the RSN. It was thanks to a legacy donation that the Council was able to go ahead with the Degree programme when government changed their funding policy.

As we look ahead, we want to be able to offer scholarships not just bursaries, but to do that, we will need significantly more legacy funds. To offer one scholarship and bursary to a Future Tutor student, for example, would mean us having designated capital of around £600K. This is an enormous amount which can only be achieved through building legacy income. But when we achieve this, it will make an enormous difference to that individual and ultimately to the RSN to be able to support students individually.

So, please think about leaving a legacy gift to the RSN. It can also help you to offset inheritance tax as gifts to charities are taken out of your estate before taxes are levied. Making a change to your Will is now simpler than ever, although you should always seek professional advice to ensure your wishes will be met. For more information see the RSN website. Click here.  

Making a gift in your will could transform many lives through stitch in the future and enable the RSN to develop and deliver exciting new programmes.

If you would like further information about legacies, please contact Gillian Williams: email [email protected] or call on 020 3166 6936.

This November is packed full of festive fun, Live Online Talks, Course Open Days and the much-anticipated Knitting & Stitching Show in Harrogate. 

Learn something new and get into the festive spirit with our Christmas Themed Day & Evening Classes. Or travel back to the 17th century and learn the art of Silk Shading and Goldwork at the beautiful Holburne Museum in Bath.

If you’re looking to embark on new skills in 2023, attend one of our course Open Days and get excited for the next step in your embroidery journey.

We hope you can join us!

Day & Evening Classes

Beautiful Festive Baubles – Online, Weekly from Saturday 19 – Saturday 26 November, 10am-4pm

Christmas Silk Shading & Goldwork – Hampton Court Palace, Saturday 19 – Sunday 20 November, 10am-4pm

Raised Embroidery Mistletoe Kiss – Online, Weekly from Saturday 19 November – 3 December, 4-6pm

Beaded Christmas Decorations – Hampton Court Palace, Sunday 20 November, 10am-4pm – Only 4 Spaces Left!

Silk Shaded Little Bird inspired by a 17th Century Embroidery, Holburne Museum, Bath, Friday 25 November, 10am-4pm

Festive Brooches: Christmas Fairy & Holly, Online, Friday 25 November, 2-5.30pm

Live Online Talks

An evening with acclaimed RSN embroiderer, Jenny Adin Christie – Wednesday 9 November, 7-8.30pm

Stitching for Stage and Screen – Wednesday 23 November, 7-8.30pm

Open Days

Certificate & Diploma Online Open Day -Wednesday 16 November, 1pm

Degree Onsite Open Day at Hampton Court Palace – Wednesday 23 November, 2pm

Events

The Knitting & Stitching Show, Harrogate – Thursday 17 – Sunday 20 November

 

View all Day & Evening Classes

Join us at The Knitting & Stitching Show Harrogate at The Convention Centre, from 17-20 November. We will be in the Textile Gallery on stand TG610 where you can see a wide range of embroidery pieces as well as have a go at stitching on a special RSN 150th Anniversary design.

If you would like to take one of our Learning Curve workshops, there are a few places remaining, but please book early to avoid disappointment.

Embroidery Workshop: ‘RSN 150th Anniversary: Intro to Mixed Techniques’ 

The black and gold design is inspired by an original hand drawn illustration by Selwyn Image (1849-1930), who was associated with the Arts and Crafts Movement, and is from our extensive archive; it is one of the three main designs featured on the RSN Anniversary Collection.

You can also take part in our 150th Anniversary Quiz Trail, for the chance to win £150 to spend on one of our Onsite or Online Day or Evening Classes…and everyone who takes part will receive a sweet surprise. Congratulations to Jessica S who won the prize at K&S London!

And that’s not all! We are running a special promotion for visitors to the stand. If you book a Day or Evening Class on our stand at Harrogate, you will receive a one of our limited edition 150th Anniversary Fireworks Mugs!

The Knitting & Stitching Show Harrogate offers a four-day celebration of all things textile. As well as viewing stunning artwork in the Textile Gallery, it’s the best place to stock up on quality textile supplies and we will be selling pieces from our 150th Anniversary Collection as well as the newly published RSN Fine Whitework book by RSN Tutor, Jenny Adin-Christie and our anniversary books, ‘An Unbroken Thread’ and ‘The Book of Inspiration’.

Thank you to all of those who visited our stand at The Knitting & Stitching Show in London, we were thrilled to meet so many new faces as well as to reconnect with some of you who we hadn’t seen since the 2019 show!

We look forward to seeing you at Harrogate!

The Knitting & Stitch Show Harrogate

We have launched a new Self-Paced Video Online Course with RSN Tutor Auburn Lucas.

The course,18th Century Goldwork and Ribbonwork is a Next Steps course for stitch lovers looking for a new challenge. It is a stunning design inspired by the fashion and architecture of this decadent era.

In the 18th century, it was popular practice to combine hand-embroidery techniques – typically Goldwork, Ribbonwork and Beading – to create the most glamorous and luxurious designs. Discover how to build up different elements to create a beautiful cohesive design. The kit that accompanies the course includes all the materials you need.

You will learn a wide range of hand embroidery techniques and enjoy lots of helpful tips to ensure a professional finish to all your work. The course costs £140.

Whether you would like to gift yourself or the stitch lover in your life, our series of Self-Paced Video Online Courses make a lovely Christmas present. You can purchase the video course and choose the date you wish the recipient to receive their gift email. The courses can be accessed whenever you choose and be replayed as often as you like.

All Video Online Courses and gift vouchers for these courses must be purchased via the dedicated website rsnonlinecourses.com

Find out more about all the RSN Self-Paced Video Courses, in partnership with David & Charles. Click here. 

The annual Hand & Lock Prize for Embroidery celebrates emerging embroidery talent from all over the world.

The 2022 design brief asked embroiderers to take inspiration from the power of nature, evolution, adaptation, biomimicry, texture, colour, craft and sustainable practices. The Prize for Embroidery has awards for Fashion and Textile Arts, and these two categories are further divided into Student and Open sub-categories.

This year, three 2022 RSN Degree Graduates and one 2022 Future Tutors Graduate are finalists, having submitted their Final Major Projects for the competition: Eliza Gomersall and Sally Randle are finalists in the Textile Art Student category, and Sabina de Oliveira Lima and Linnea Lyndon are finalists in the Fashion Student category.

Eliza Gommersall

Eliza is based in a rural village in the southeast of England. Inspired by British insects, lepidoptera, flora, fauna, rocks and minerals, Eliza uses hand embroidery to bring nature to a new light. Eliza is cautious and meticulous about the materials she uses, keeping in mind the environmental, social, and economic factors of fashion and textile production. She uses natural, vintage, and second-hand materials wherever possible in her practice.

Eliza’s Final Major Project, ‘Palingenesis’ (Rebirth) explored the ideas of ‘transformation’ in nature and of material. Eliza produced a hand embroidered fantastical 3D moth adornment using a variety of techniques including Canvaswork, Silk Shading, Goldwork, Pulled Work, Raised Work and beading to create texture and interest.

Alongside beading and unique embellishments, such as second-hand clock parts, Eliza has incorporated botanical motifs into the wings, which represent the life cycle of a rose and an apple tree. We love how the texture created by the Canvaswork technique successfully mimics the texture on the surface of moth wings!

You can follow Eliza on Instagram here. 

Sabina de Oliveira Lima

Sabina is an award winning and London-based freelance embroidery artist with a background in architecture. Her Final Major Project, ‘Viva São João’, was inspired by the spectacular bonfire at Festa Junina in Brazil.

The embellishment of Sabina’s bonfire was made using the couture hand embroidery technique of Goldwork in a contemporary manner. Other traditional and experimental techniques were also applied, such as Crewelwork, Raised Work and 3D Beading to add texture.

You can follow Sabina on Instagram here.

Linnea Lyndon

Linnea is already establishing a career beyond her university accomplishments, most recently being part of the Alexander McQueen embroidery team for the Autumn Winter 2022 collection in New York.

‘Memorylands’ is a couture ensemble exploring the artist’s childhood memories at the beginning of her artistic journey. Exploring the subconscious influences behind her creative practice, Linnea uses a variety of hand processes to celebrate the nostalgia associated with making by hand, and the connections between her past and present.

In its materiality and design, this ensemble is very much typical for Haute Couture design. The emotive engagement of the embroidery design is intended to familiarize the feeling of Couture and communicate a feeling of collective memory to the audience.

You can follow Linnea on Instagram here.

Sally Randle

Sally moved 16,500KMs from her hometown of Brisbane, Australia, in 2019 to pursue her love of hand embroidery. She graduated from our Future Tutors Programme earlier this year and has already created a beautiful Christmas Tree design which she will teach at the RSN this December.

Her Hand & Lock submission is called ‘Environmental Change / Changing Environments’ and is a multi-layered hand embroidery made from semi-transparent panels of fine tulle, presented in a tunnel book format.

The individual embroidered layers of this interactive embroidery can be reordered and added or subtracted. One configuration shows my personal story of changing environments, with each layer allowing the viewer to be transported between a parched Australian desert and a verdant English landscape. Another configuration incorporates light and air to show the devastating impact of wildfire on the natural environment of a forest.

You can follow Sally on Instagram here.

All finalist designers have spent the last few months working alongside their industry mentors, perfecting their final submissions.  We congratulate our students on being finalists and wish them the best of luck!