To celebrate all the wonderful work of our 2023 Degree Graduates over the last three years, we would like to share with you a little more about them, as well as a look at their stunning Final Major Projects, which have recently been on display at our Hampton Court Palace Graduate Degree Show and is on display at New Designers in London until tomorrow.

Alivia Lloyd

Alivia is inspired by the natural world, primarily floras due to their delicacy and beauty. Her working practice consists of layering three dimensional elements in order to form texture and tactile intricate areas.

Follow Alivia on Instagram

 

Anfaal Hussain

Anfaal finds endless inspiration for his embroidery practice within the world of myth, metaphor and symbolism. These inspirations combined with a strong passion for poetry has helped to develop his signature style of embroidery and design.

Follow Anfaal on Instagram

 

Ellie Payne

Ellie’s hand embroidery is a playfully curated collection of objects, thoughts and responses. She works with selected palettes of materials and techniques before she moves on to another technique, material or colour. This creates within her work an accurate representation of how her brain works whilst she is embroidering.

Follow Ellie on Instagram

 

Fiza Shahid

Fiza is particularly interested in depicting her work in a way that is not only a source of comfort and healing for her, but for her audience as well. Her artist voice is influenced by her set beliefs on the fundamental teachings of Islam that create a sense of unity and universal strength.

Follow Fiza on Instagram

 

Freya Stanford

With the belief that embroidery is transforming, Freya is excited to express her creativity and step into the embroidery sector pursuing both her interest in costume as well as art pieces that investigate the natural world. Freya has begun to explore this narrative through expressive and textural embroidery.

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Imogen Marmont

Imogen is a designer based in London. She works with an innovative range of mixed media, driven by the texture and pattern, which she replicates into hand embroidery.

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Jessica Wilkinson

Jessica is a hand embroiderer originally from the Lake District. Her practice strives to bring traditional techniques into the twenty first century, and she values keeping old crafts alive and educating new audiences.

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Leah Dunham

Led by her own innate romantic and whimsical style, Leah is an embroiderer who translates the beauty of flora and fauna into intricate stitch and embellishment. She seeks to create lasting pieces that maintain value throughout time, regarded as collectible, wearable art or bespoke future heirlooms. 

Follow Leah on Instagram

 

Rebecca Ash

Rebecca strives to push the boundaries of embroidery by utilising more modern fabrics and threads. She is always looking for new ways of using traditional techniques and materials, and her aim is to create high quality embroidery with a strong narrative.

 

Follow Rebecca on Instagram

Are you interested in joining our BA (Hons) Hand Embroidery Degree Course? Join us on our next open day in September to find out more.

C&D Graduates

We would like to congratulate all our Certificate & Diploma students who will be graduating with us this summer. An exhibition showcasing our Graduates’ work will run from 4 to 9 July at Hampton Court Palace. Opening hours will be 11am to 4pm.

 

Anyone wishing to visit the Exhibition must tell security that they are visiting the RSN Shop and Exhibition.

We teach the C&D course onsite in Bristol, Rugby, Durham and Glasgow, internationally in Japan and North America, and at our base at Hampton Court Palace, south west London.

We also teach online, so students can join from anywhere around the world. It is the most flexible course you will find – you can start your RSN Certificate journey at any time during the academic year, choosing when to take your classes.

If you are interested in joining the Certificate & Diploma, attend our Online Open Day on  25 July. Book onto the Open Day here.

Future Tutor Graduates

Congratulations to our Future Tutors Caroline Lee and Abbie Carter who will graduate on 3  July. Caroline is now in Australia and Abbie’s work will be on display at the Future Tutors Graduate Show from 4 to 9 July. Caroline and Abbie’s work will both be displayed in the next Friends’ Newsletter.

We are excited to see the new class designs from Caroline and Abbie and their future career progression.

Images:

Blackwork by C&D Graduate Kirsten Doogue 

Canvaswork by C&D Student Joanne Bentley

Jacobean Crewelwork by C&D Graduate Ruth Sumner 

Canvaswork by Future Tutor Graduate Abbie Carter

Featured Image: Blackwork Gorilla by Future Tutor Graduate Abbie Carter

June Events

Online C&D Open Day – 6 June

RSN Graduate Degree Show Exhibition, Hampton Court Palace- 8, 9, 13, 14, 16 June

Graduate Fashion Week, The Truman Brewery – 12-15 June

Thamesmead Hot Air Balloon Launch – 17 June  (Worked on by Degree students last year)

Degree Open Day, Hampton Court Palace – 17 June

New Designers, Business Design Centre, London – 28 June – 1 July

 

Online Talks

Textile Collections of Canterbury Cathedral – Wednesday 14 June

Embroidered Flowers – Wednesday 28 June

 

Future Dates For Your Diary

RSN Scotland C&D Open Day – 21 July

RSN Scotland C&D Exhibition – 20 July – 28 July

C&D Open Day – 25 July

Join us for a Day Class over the summer.  Whether you choose Online, at Hampton Court Palace or at one of our partner venues,  we have a wide variety of designs to choose from.

Day Classes

Blue thread teardrop mending

A Sicilian Key – Hampton Court Palace – 10 & 11 June

Mounting Mondays – Online – Weekly – 12 June – 26 June

Visible Mending – Hampton Court Palace – 25 June

Drawing Day: Folds and the Figure in the Hampton Court Palace Art Collection – Hampton Court Palace – 28 June

Blackwork Box – Hampton Court  Palace – 3-5 July

Experimental Beading – Hampton Court Palace – 9 July

Introduction to or Nué: ‘Scallop Shell‘ – Online – 9 and 12 July

Introduction to Hardanger: ‘A Sample of Stitches‘ – Hampton Court Palace – 14 – 16 July

 

Partnership Classes

Purple and goldwork logo embroidery

Coronation Gold Shamrock and Acorn inspired by The Queen Mother’s Coronation Robe: D-Day Story Partnership Class – 15 July

Student, Sue Kim originally from Seoul, South Korea, is currently in her second year on the Future Tutor Programme and shares her journey from being an RSN Certificate Student to learning to become an RSN Tutor.

“After graduating with my BA in metal craft and textile in Seoul, South Korea, I moved to London in 2001 to further study footwear design at the London College of Fashion (LCF). After my LCF studies, I set up a handmade jewellery brand, but paused it for maternity leave. I started sewing as a hobby during my maternity leave, and ended up falling in love with stitching.

After running an embroidery class for many years, I realised that I needed to improve the depth of my embroidery knowledge. I then found the Royal School of Needlework and took the Certificate course first, before joining the Future Tutors Programme. I have been living in Surrey since 2009 and luckily, it takes only 30 minutes to drive from my home to RSN.

I am over halfway through the three year course, and so far it has been an amazing experience. I have learnt so many new techniques under the talented RSN Tutors, and have enjoyed learning with my lovely classmates.

What’s extra special about the FTP course for me is not only learning new techniques, but also gaining hands-on teaching experience. Recently, I ran ? was this really one three-day class or three one day classes? a 3 day long class at the Knitting and Stitching show on behalf of RSN, and felt much more confident in teaching by interacting with real people from outside the classroom.

Among the many techniques I have learnt so far, I particularly love Whitework and Coronation Gold techniques because I can create my own design instead of simply reproducing an existing one. My future goal is to combine traditional embroidery techniques with my own contemporary design.

I hope my contemporary embroidery design will appeal to more people in this lovely craft and broaden stitching audiences. I believe that stitching makes our life richer and brings people together under this amazing craft, especially in today’s busy modern lifestyle. My future goal is to be a Tutor at the RSN and teach embroidery classes. That would be my dream come true.”

Follow Sue’s journey to becoming an RSN Tutor on her Instagram

To celebrate the work that the RSN Embroidery Studio carried out for the Coronation of His Majesty King Charles III, RSN Tutor, Sarah de Rousset-Hall will be teaching this Introduction to Coronation Gold class at The D-Day Story Portsmouth on Saturday 15 July. This class is part of the long-standing partnership between The D-Day Story and the RSN who stitched the Overlord Embroidery from 1968 to 1974.

The stunning Shamrock & Acorn design for this class is inspired by the embroidery on the 1937 Coronation Robe of Estate worn by Queen Elizabeth, The Queen Mother, consort of King George VI and stitched by the RSN.

Your design will be worked on purple silk dupion using gilt and metallic threads, echoing the RSN’s embroidery on both her coronation dress and robe.

This unique class covers many of the embroidery techniques used on these garments including Trellis, Chipping, Couching and Appliqué. You will also add felt padding to the acorn to give it extra dimension and sparkle. The finished design measures approximately 5cm by 5cm and is photographed here in a 4” hoop.

The RSN’s link to Coronation Robes goes back to the 1902 Coronation of King Edward VII and Queen Alexandra, after which the School has been commissioned to work on all Coronations.

All the stitches covered in this class and more can be found on the RSN Stitch Bank.

Sign up here to book your place here

Our Third Year Degree Students will be showcasing their exciting Final Major Projects in an exhibition at Hampton Court Palace.

The exhibition will run on 8, 9, 13, 14 and 16 June, with visiting times at 11am and 2pm. The Graduates will be on hand to discuss their projects and to inspire the next generation of hand embroiderers.

To celebrate all they have achieved, read on to meet some of the 2023 Graduates behind the beautiful work, and the inspiration and story behind their final Major Projects.

 

Chloe Angrave, ‘Oceanic Decay’

RSN Degree Graduate 2023, Chloe Angrave is a textile embroiderer.

Chloe’s Final Major Project entitled ‘Oceanic Decay’ examines her fascination with sea life. She believes it is important that the fashion industry becomes more sustainable.  

“This piece aims to bring awareness to global warming in a sustainable, nuanced way by using new and old materials to create a luxurious bespoke garment.”

Follow Chloe on Instagram

 

Chloe Rogers, ‘Purifying Graffiti’

Chloe’s Final Major Project, titled ‘Purifying Graffiti’, explores her personal relationship with her urban life origins blended with a societal connection with an overarching environmental issue to create an artistic intervention.

“My collection displays graphic embroidered text including referencing the European Green Capital, an award that Bristol, my place of inspiration and innovation, gained recognition for in 2015 in celebration of its ambitious sustainable action.”

Follow Chloe on Instagram

 

Emily Barnett, ‘The Chawton House Project’

Emily’s work explores her connection with Chawton House. She became an assistant in the tearoom at the age of eighteen and spent her tea breaks exploring and photographing the extensive grounds.

“In this piece, the central panel celebrates The Rose Garden, combining the ‘Pride and Prejudice’ roses from the Rose Walk, details from the ornate garden gates and text from the title page of Elizabeth Blackwell’s ‘A Curious Herbal’ (1735)”.

Follow Emily on Instagram

 

Jenna Riddell, ‘Waste to Art’

Hand embroiderer Jenna Riddell’s purpose is to create conversation about climate change and consumerism through embroidered protest placards.

“The context for my work is a fine art textile collection that consists of multiple embroidered placards using waste as my only material. My work is to be seen in exhibition spaces and galleries but primarily in urban protest settings.”

Follow Jenna on Instagram

 

Kirsty Farrar, ‘A Lost Expression’ 

‘A Lost Expression’ – explores the idea of articulating personal mental health through a process which was not previously consciously linked.

“Within my work, I have examined my own emotions and thoughts constructed from my mental health. Mental health is an underlying subject within ‘a lost expression’ and was chosen due to a want and a need to create a body of work which was highly personal.”

Follow Kirsty on Instagram

 

Lizzie Gray, ‘Inside and Out’

‘Inside and Out’ is a series of five embroidered neck pieces exploring the human body. These pieces focus on selected anatomical imagery; the hands, heart, eyes, veins, and teeth which Lizzie has chosen for their diversity in colour and texture.

“I want to celebrate the beauty of anatomy, while reimagining various elements using embroidery.”

Follow Lizzie on Instagram

 

Tomas Asmelash, ‘Snowdrops’

Tomas’ most recent piece has been inspired from his faith and culture. He uses traditional hand embroidery techniques, learnt during his time studying at the RSN.

“My aim is to introduce my own religion, culture, and homeland of Eritrea to the viewer by bringing the aesthetic and traditions of the church and the wedding ceremony into my work.”

Follow Tomas on Instagram

 

The exhibition will run on 8,9,13, 14 and 16 June, with visiting times at 11am and 2pm.

The exhibition is free of charge to visit, but you must pre-book your place.

Click here to register

 

Our selection of beautiful books not only offer the best of Embroidery, but also books that are guaranteed to inspire. Our range has books on subjects as diverse as textiles and fashion, design and the decorative art of pattern, craft and fine art and history.

The RSN Essential Stitch Guides are a rich source of embroidery techniques, stitches and projects, covering all the key subjects in detail, Crewelwork, Bead Embroidery, Stumpwork, Canvaswork, Goldwork, Whitework, Blackwork and Silk Shading.

Each book written by RSN tutors, feature practical, instructional guides that offer a complete grounding in the techniques you need, including comprehensive stitch guides that lead the reader through each technique using clear step by step photography and easy to follow expert guidance. Many of the books contain stunning projects that put these techniques into practice and showcase additional advanced techniques.

For pure creative inspiration, The Royal School of Needlework Book of Inspiration features many unseen images from the RSN Archive Collection, with a page on each double-page spread for your own ideas, sketches and thoughts. The images have been selected by Author, Curator and CE of the RSN Dr Susan Kay-Williams and date from the early 17th Century to the present day.

Shop our full range of Embroidery books here

RSN Stitch Bank will be growing even more this June in the number of stitches featured on the site. On the 21 June, we will be adding another 25 stitches to the RSN Stitch Bank, which will bring the total up to 325 stitches!

These new stitches include Diamond Tile, Floral Lace, Gold Twist Application, Grecian Curls and many more.

RSN Stitch Bank is an incredible resource, featuring videos, written instructions, illustrations and photographs for each stitch. It also includes history of its use and images of the stitch on items from the RSN Textile Collection.

RSN Stitch Bank is available online via the website rsnstitchbank.org and is a unique resource for all stitchers, teachers, curators, historians, researchers and students. Stitchers are able to find a new stitch to use in a project and learn how to work it. Researchers, curators, historians and students can use the site to learn about the use, structure and history of each stitch, in a range of embroidery techniques, and to identify individual stitches on a textile.

RSN Stitch Bank has been made possible thanks to a number of charitable trusts and many individual donors who have ‘Adopted a Stitch’ for themselves, for a friend or for a parent or grandparent who first taught them to stitch. If you would like to support the project and ‘Adopt a Stitch’, visit royal-needlework.org.uk for more information.

Visit rsnstitchbank.org to see the full RSN Stitch Bank.

With the International Summer School fast approaching, we are focusing on all of the wonderful classes that will be taking place onsite at Hampton Court Palace throughout July and August.

Throughout August as part of our International Summer School, we invite you to join us for one of the inspiring classes on offer. Whether you want to improve your drawing and design skills, stitch a Stunning Goldwork letter of your choice, explore Blackwork and Whitework, create your own piece of Victorian Patchwork or stitch a Coronation inspired Crown pincushion, there really is something for everyone.

In addition, as part of your time with us you will be treated to a visit behind the RSN Embroidery Studio door where you will learn about the Studio and see work-in-progress with Head of Studio, Anne Butcher, and Studio Manager, Gemma Murray. You will also have access to a series of specially curated Online Talks both live and on Demand. The final ‘treat’ will be a visit to Buckingham Palace to view pieces from the recent Coronation of HM King Charles III. We have been eagerly awaiting confirmation from Buckingham Palace and are delighted that we can now share this news with you!

All in all, the International Summer School at Hampton Court Palace really is the only place to be in August and we hope that you can join us to celebrate stitch!

International Summer School Classes

 

Introducing Coast x Royal School of Needlework, a very special collaboration celebrating the art of embroidery. Taking inspiration from our unique Collection, Coast has created a 18-piece, limited-edition bridal collection to make that special day even more memorable.

The RSN Collection and Archive has more than 4000 embroidered objects and many thousands of designs, capturing the passion for embroidery throughout history.

Coast’s exclusive 2023 bridalwear takes inspiration from three different artworks from our Collection – the Lily Altar Frontal, Wildflower Design and Kyoto Panel. Chosen for their different family of flowers, each piece helped to define the stories that make up each capsule of aspirational bridalwear.

Paying homage to the modern bride, the Lily capsule has been inspired by the Lily Altar Frontal; a heavily embroidered textile featuring a variety of lilies that represent humility and purity and often used within wedding bouquets. Drawing from this design, the bridalwear pieces are adorned with delicate blooms, mesmerising beading and elegant silhouettes, plus sweeping veils and trains with pretty needlework to capture the essence of a contemporary bride.

Inspired by Dutch flower paintings, the Wildflower design consists of carnations, irises and parrot tulips. Taking this floral theme, Coast’s capsule caters to a more traditional, countryside mood, featuring quintessentially feminine shapes in flowing fabrics with gorgeous decoration work and floral motifs.

Emma Doggart, Director of Strategy and External Relations at RSN comments:

“Although the traditional skills of hand embroidery have not changed, the RSN’s Collection & Archive shows how embroidery has evolved through the years and it is fantastic to see how history can influence today’s fashion. We are delighted with the way the team at Coast has interpreted the designs from our Collection, bringing them back to life to be worn for such a special and joyous occasion of a wedding.”

Finally, the Kyoto collection represents a more unique take on bridalwear. Influenced by the stunning Kyoto Panel that features the Japanese flower of winter, the chrysanthemum, in its various forms and extraordinary embroidery of silk and gold threads. Detailing on the bridalwear is heavily embellished with beading and needlework representing the charm of the classic Japanese flowers. Silhouettes take on a different approach with relaxed fits, tiered elements, and batwing sleeves.

Lovingly crafted with the upmost detail, the Coast x Royal School of Needlework is a limited-edition collection to suit an array of bridal tastes with a beautiful heritage and story behind each piece. Something old and something new combine for a beautiful collection of opulent and ornate bridal pieces to cherish forever.

Available to purchase online at coastfashion.com

Images of Coast’s new Bridal Collection and two of the inspiration designs from the RSN’s Collection – The Kyoto Panel and Lily Altar Frontal

 

We are delighted to announce that the magnificent Coronation Outfits of Their Majesties King Charles III and Queen Camilla will be on display at Buckingham Palace this summer, from 14 July – 24 September 2023.

The display will include The Stole Royal worn by His Majesty and The Robe of Estate worn by Her Majesty, both of which were newly created for the service and hand embroidered by our expert Embroidery Studio team.

And there is more good news – If you are booked on our International Summer School at Hampton Court Place on a course of two days or more, you will be able to attend the exhibition at Buckingham Palace as part of your course.

View Hampton Court Palace Courses for International Summer School

For more information on the Summer Opening at Buckingham Palace visit their website rct.uk

Image of Buckingham Palace courtesy of Royal Collection Trust / © His Majesty King Charles III 2023

Image of work in progress of Her Majesty The Queen’s Robe of Estate © Royal School of Needlework

Image of Stole Royal courtesy of Prudence Cuming Fine Art Photography and The Girdlers’ Company