The Royal School of Needlework is proud to announce that it has been working on the Anointing Screen which has been designed and produced for use during the Coronation Service on 6 May at Westminster Abbey.

The Anointing Screen will be used at the most sacred moment of the Coronation, the Anointing of His Majesty The King. The screen combines traditional and contemporary sustainable embroidery practices to produce a design which speaks to His Majesty The King’s deep affection for the Commonwealth.

The Anointing Screen was designed by iconographer Aidan Hart and has been brought to life through embroidery, managed by the Royal School of Needlework. The design has been selected personally by The King and is inspired by the stained-glass Sanctuary Window in the Chapel Royal at St James’s Palace.

The central design takes the form of a tree with 56 leaves, representing the 56 member countries of the Commonwealth.  The leaves have been embroidered by staff and students from the Royal School of Needlework, as well as members of different Livery Companies – The Worshipful Company of Broderers, Drapers and Weavers.

Also forming part of the Commonwealth tree are The King’s Cypher, decorative roses, angels and a scroll.  At the top of the screen is the sun, representing God, and birds including the dove of peace, which have all been hand embroidered by our expert Embroidery Studio.

The screen is three-sided. The two sides of the screen feature a simpler design with maroon fabric and a gold, blue and red cross, inspired by the colours and patterning of the Cosmati Pavement at Westminster Abbey where the Anointing will take place. The crosses were also embroidered by our Embroidery Studio.

The Anointing Screen is supported by a wooden pole framework, designed and created by Nick Gutfreund of the Worshipful Company of Carpenters. The oak wooden poles are made from a windblown tree from the Windsor Estate, which was originally planted by The Duke of Northumberland in 1765.

As well as heritage craft, contemporary skills and techniques have formed part of this unique collaboration. The outline design of the tree has been created using digital machine embroidery by Pete Tarrant from Digitek Embroidery.

The Anointing screen has been gifted for the Coronation by the City of London Corporation and participating Livery Companies, the City’s ancient and modern trade guilds.

Images show:

• Work in progress on the Commonwealth Tree
• Work in progress on the Sun
• The Anointing Screen in Chapel Royal at St James’s Palace with the window that inspired the design behind (copyright: PA News)

With just over a week to go until the Coronation of His Majesty King Charles III and The Queen Consort Camilla, excitement is growing both in the UK and internationally to celebrate the big day and be a part of this very special and historic event.

Upcoming events during the Coronation Weekend

 

Saturday 6 May

The official Coronation ceremony will take place on Saturday 6 May at Westminster Abbey, London.

Celebrations will be held up and down the country whilst the Royal Procession will take place, starting at Buckingham Palace, with His Majesty and The Queen Consort travelling down The Mall, and returning to Buckingham Palace after the ceremony where they will be joined by other members of the Royal Family.

Hundreds of thousands of members of the public are expected to line the parade route for their chance to see The King and Queen Consort in the Diamond Jubilee Estate Coach.

Sunday 7 May

A Coronation Concert will be held at Windsor Castle, with an evening of music from global icons and contemporary musicians to celebrate together. A world-class orchestra will also play interpretations of musical favourites, with staging and effects taking place on the East Lawn of the castle.

Monday 8 May

The Big Help Out will be organised by The Together Coalition along with The Scouts, the Royal Voluntary Service and faith groups from across the United Kingdom. This event is set to highlight the importance of volunteering and will encourage people across the nation to get involved and help organisations in their local community.

The RSN and Past Coronations

The RSN has a long and rich history working on Coronations for the British Royal family and has been creating pieces for the ceremonies going back to 1902. From State Coronation robes to Altar dorsals and exhibitions, we are extremely proud of the involvement we have had in past Coronations.

We had the privilege of working on the Robe of Estate for Queen Elizabeth II in 1953, designed and embroidered by the Royal School of Needlework. Eighteen varieties of gold thread were used in the Goldwork embroidery, taking a total of 3,500 hours from February to April 1953 with 12 embroiderers working in shifts, seven days a week.

Read more of the RSN’s full history with past Coronations of the British Royal Family. Or better still, book a place on the talk being given by our Chief Executive and author of An Unbroken Thread on the 150 year history of the RSN on Wednesday 10 May 

 

The Royal School of Needlework would like to wish His Majesty King Charles III and Queen Camilla the best of luck for Saturday and wish them a happy and peaceful reign.

Inspired by The RSN’s involvement with Coronation robes dating all the way back to 1902, we are celebrating with four of our RSN trained Tutors/Embroiderers embroidery kits, available in our Coronation inspired shop.

 

 

Coronation Thistle Kit

This beautiful kit has been designed by RSN Tutor Anita Harrison and was inspired by the thistles in the Commonwealth floral emblem worked in gold threads on the Queen Mother’s coronation dress.  She wore the dress to the Coronation of her husband King George VI in May 1937.  The leaf was inspired by the leaves in the Peace and Plenty Emblem on the Coronation Robe worn by Queen Elizabeth II in 1953.

 

 

Coronation Gold: Peace and Plenty Goldwork Kit

The design for this exclusive RSN kit was inspired by Queen Elizabeth II’s Coronation Robe, stitched by the RSN Embroidery Studio in 1953 with the theme of Peace and Plenty. This was symbolised by olives and wheat and was very appropriate for a post-war period still under food rationing.

 

 

Union Jack Kit

The iconic image of the Union Jack has been reworked by RSN Embroider Masako Newton, to create a beautiful coloured Blackwork kit. A blend of old and new, the faded subtle colours to Masako’s design gives the Union Jack a vintage feel and the design a modern edge.

 

 

The Majesty Of Stitch Kit

The prancing lion and unicorn are synonymous with majesty and royalty.  They have appeared on the royal seal for many years which the RSN gained in 1875 in recognition of the exquisite craftsmanship of its embroiderers. This design by RSN Tutor Helen Richman, celebrates the close ties between embroidery and royalty and the huge part that needlework has had to play in creating items of splendour and the tools used to achieve it.

The Royal School of Needlework was delighted to welcome The King and The Queen Consort, Patron, on Tuesday 21 March, to view the progress of work we are undertaking for the forthcoming Coronation, meet our specialist Studio Embroiderers and other members of RSN staff.

Their Majesties also viewed displays of objects from past Coronations from our unique Archive & Collection.  The Royal School of Needlework has had the honour and privilege to work on regalia for all the coronations since it was founded in 1872.

The Fine Art Textiles Award (FATA) is now open for entries. FATA is an international juried exhibition open to all amateur and practising textile artists. This prestigious award is your chance to win £5,000 and to have your work shortlisted for a touring exhibition shown at The Festival of Quilts and The Knitting & Stitching Shows in London and Harrogate this autumn.

FATA recognises the creative talents of a broad spectrum of high-calibre artists producing gallery-quality fine art and is judged by an esteemed group of artists and industry professionals.

If you have a piece considered as fine art and made within the last two years, make the most of this fantastic opportunity and enter your piece by 22 May 2023.

Submit your entry here

Learn more about the FATA here

We have lots of exciting events coming up this month at the RSN to see in the warmer months. From a brand-new season of Online Talks to plenty of Day Classes, you won’t be short of things to attend!

Day Classes

 

Designing for Embroidery – Jacobean Crewelwork – Online – 10 May

The Majesty Of Stitch – Online – 12 – 14 May

Silk Shaded Cocktail Glass – Onsite – Hampton Court Palace – 13 May

Developing Silk Shading: Pet Portrait – Online – Weekly, from 13 May

Designing for Embroidery: Blackwork – Online – 17 May

Drawing Day – Drawing Flowers – Online – 17 May

Introduction to Embroidery: Koi Pond – Onsite – Hampton Court Palace – 20 May

Tudor Box – Online – 20 May

Native Wildflower: Arrowhead – Onsite – Hampton Court Palace – 21 May

Experimental Beading – Onsite – Hampton Court Palace – 21 May

Proserpine: Based on a design by Selwyn Image – Online – Weekly, from 22 May

Advanced Monogramming – Online – 24 May

Introduction to Goldwork: Golden Paisley – Onsite – Hampton Court Palace – 27 May

 

 

Partnership Classes

16th Century Splendour inspired by The Darnley Jewel in partnership with Royal Collection Trust at the Palace of Holyroodhouse – 13 May

 

Online Talks

A Mantle, Canopies, Robes and endless Chairs: RSN and Coronations of the 20th Century – 10 May

 

Future Dates For Your Diary

EXILE: sono oriunda Exhibition – 6 May – 2 July

Degree Students Graduate Show, Hampton Court Palace: 8, 9, 12, 14, 15, 16 June

Graduate Fashion Week, The Truman Brewery: 12-15 June

RSN Scotland Open Day, Glasgow Art Club: 21-28 June

New Designers, Business Design Centre Islington: 28 June – 1 July

Future Tutors and Certificate and Diploma end of year Graduate Show, Hampton Court Palace: 4 – 9 July

 

The Certificate and Diploma course (C&D) at the RSN offers a unique opportunity to elevate your skill in hand embroidery, both onsite at our various locations, or entirely online. You will learn valuable embroidery techniques, with many of our past students going on to work as designers and embroiderers on private and public commissions.

Here, RSN Diploma student Catherine Thorn shares her experience of learning at RSN Scotland, based in The Glasgow Art Club.

“I first learnt about the RSN when I picked up a leaflet on a visit to Hampton Court Palace. I started the Certificate in Technical Hand Embroidery in 2014 embarrassingly, at RSN Scotland in Glasgow, with Tutor Helen McCook.

 

I’ve always loved embroidery, despite a long gap when the only sewing I did was mending and attaching name tapes, but I went to some RSN Day Classes, which I really enjoyed, and wanted to take it further.

I loved the Canvaswork best, despite not thinking I would enjoy it. I really enjoyed the freedom of finding different threads for different textures, mixing threads in the needle, and, also, I think I chose the subject well, as it’s a place I love.

 

 

I’ve been inspired by Helen who has encouraged me so much – I’m one of these people who never thought I could design my own embroidery because I can’t draw. I’ve also been inspired by the other students and seeing the breath-taking work they produce.

I’ve already started the Diploma and would love to teach embroidery.”

Follow Catherine through her Instagram account here 

Find out more about the Certificate & Diploma Course by attending our next Online Open Day at 1pm on Tuesday 6 June.  Book here.

 

C&D Summer intensives

The Summer Intensives teach one technique over two weeks and will be taught during July and August at Hampton Court Palace, Durham, and Glasgow.

If you would like to join us for one of our Summer Intensives, we have listed the dates below. If you are new to the Certificate course, start with the Jacobean Crewelwork Summer Intensive, however if you are already studying C&D and would like to do an intensive course for your next module, we also run them in Canvas Stitches/Blackwork; Silk Shading; Goldwork and the Diploma techniques.

 

RSN Hampton Court Palace

• Jacobean Crewelwork Summer Intensive: Mon 26 June to Fri 7 July – 5 spaces left 
• Diploma techniques: Mon 26 June to Fri 7 July – 3 spaces left
• Canvas Stitches/Blackwork Summer Intensive: Mon 10 July to Fri 21 July – 5 spaces left
• Silk Shading Summer Intensive: Mon 24 July to Fri 4 August – 4 spaces left
• Goldwork Summer Intensive: Mon 7 August to Fri 18 August – 3 spaces left

RSN Durham

• Summer Intensive: Tues 4 to Fri 7 July; Tues 11 to Fri 14 July – 2 spaces left

RSN Scotland

• Summer Intensive: Mon 19 to Thurs 22 June; Mon 26 to Thurs 29 June – 5 spaces left

 

If you are interested in a remaining place or would like to put your name on a waiting list please contact: [email protected]  

The RSN’s Future Tutors Programme (FTP) is a three-year, full time course specifically designed for those wanting a career in teaching hand embroidery to the highest technical level, and students are based at Hampton Court Palace.

 

 

RSN Future Tutor Student, Kristina Clarke from Leeds in Yorkshire, is currently in her second year and shares her journey from being an RSN Certificate student to learning to become an RSN Tutor.

“I found out about the RSN Future Tutors Programme after embarking on the RSN Certificate course at the RSN Durham satellite studio with the brilliant and inspiring Tracy Franklin and Pippa Foulds. Pippa had recently done the FTP when we first met and so we had talked about it as I was at that time looking for a new direction in my career.

 

 

I’d always wanted to do something more creative than being a veterinary nurse, which isn’t that creative. I turn to creative pastimes with the increasing pressures and mental health crisis surrounding my industry so knitting, sewing and embroidery were always my go-to for a mindfulness activity. So many of us live very stressful lives, and I’ve been a trainer and tutor throughout my career so guiding and teaching others in a creative pastime always appealed to me and to help people find that embroidery can help their own mental health too is very much part of my goal.

After a lot of thought, I applied for the course and was accepted, so started a weekly commute to London. I’m lucky because I have family nearby in surrounding counties, but also stay over near Hampton Court Palace some weeks when I need to be close to the school. It’s not been easy, but I’ve created a manageable routine, and I love learning new techniques and creating projects, so the course has allowed me to expand my knowledge and develop my abilities in embroidery to a level I thought not possible before. Something that helps me feel that it’s worth all the effort I put in!

 

 

My favourite technique has always been Goldwork, but I also love working with crewelwork wools and surface stitch embroidery. I don’t feel like I have a set style as such, so many of the techniques we learn are on another level that I’ve not explored before. I’m looking forward to time in the future when I can play and experiment with what I’ve learned, we don’t have much time throughout the course as we are learning the technical stitch. It’s a very challenging and time-consuming course so the priority is learning the technical skill first and foremost.

Upon graduation, I hope to develop and grow in confidence as a Tutor initially, and gain confidence and experience in teaching technique. I would love to create my own kits to introduce others to embroidery and show them the benefits of such creative pastimes. Anyone can create a small decorative item, no matter how simple, and to feel pride in what they’ve achieved and the calm that meditative stitching can bring.”

Follow Kristina’s teaching journey through her Instagram account

Our next season of Online Talks are now available to book! We have a number of interesting and unique topics coming up over the next few weeks, so be sure to book your place so you don’t miss out.

A Mantle, Canopies, Robes and endless Chairs: RSN and Coronations of the 20th Century – Wednesday 10 May

 

To celebrate the Coronation of King Charles III, RSN Chief Executive, Dr Susan Kay-Williams, will be giving an Online Talk on Wednesday 10 May on the RSN’s work on past Coronations, referenced by what remains in our Archive that we are still discovering today. This talk will give fantastic insight into samplers, souvenirs, and many more items worked on by the RSN from Coronations going back to 1902.

 

Textile Collections of Canterbury Cathedral – Wednesday 14 June

In this very special talk, Canterbury Cathedral Manager of the Archives and Library, Cressida Williams, and Canterbury Cathedral Book and Paper Conservation Manager Ariane Langreder, will be exploring the objects in the Archives of Canterbury Cathedral, ranging from medieval textiles retrieved from an archbishop’s tomb to frontals still used for covering altars, to church kneelers.

The talk will also include the jupon of Edward, the Black Prince (died 1376), which was conserved by the RSN in the 1950s, as well as a discussion on the challenges of caring for textiles in a working church, and case studies of recent conservation projects.

 

Embroidered Flowers – Wednesday 28 June

RSN Senior Lecturer in Contextual Studies, Amy Hare, will be back exploring the significance and appeal of floral designs for embroiderers throughout the centuries. This talk will examine historic pieces in the RSN Collection, discussing how flowers have also been deployed as a form of visual language in many different cultural traditions of embroidery and how their temporary beauty can be captured forever in stitch.

 

Partnership Classes 

16th Century Splendour inspired by The Darnley Jewel in partnership with Royal Collection Trust at the Palace of Holyroodhouse – Saturday 13 May 

We are thrilled to teach a very exciting class at Holyroodhouse Palace in Edinburgh, Scotland, in partnership with the Royal Collection Trust. This class will by taught by RSN Tutor Helen McCook, and is inspired by the Darnley Jewel, a beautiful jewel commissioned by the parents of Mary Queen of Scots’ husband.

As well as stitching this beautiful design, the class will include a view of the Darnley Jewel itself, as well as other objects on display at the palace.

 

Starburst at St Albans Cathedral – Saturday 3 June

We’re delighted to announce a brand new event partnership with St Albans Cathedral that includes this exciting hand embroidery class on Saturday 3 June.

This stunning Starburst design will be taught by RSN Tutor, Sonja Galsworthy. During the day you will learn the stitches needed to complete this contemporary ‘Starburst’ design. The class is suitable for all abilities, and will cover many traditional stitches techniques.

As part of the day, you will also have a chance to visit the Threads Through Creation exhibition created and designed by Devon-based artist, Jacqui Parkinson, as well as entrance to the Cathedral, and an opportunity to hear the City of London Chamber Choir on their visit to St Albans Cathedral.

 

See our list of classes

Book classes

As we head towards summer and the outdoors bursts into life why not take a class inspired by nature in all its glory. Whether you want to learn to draw or embroider something floral there are plenty of opportunities both online and onsite and, with the International Summer School approaching there are even more options open to you!

Take the chance to brush up on your drawing skills with Caroline Homfray and choose from a day of Drawing Flowers at Hampton Court, with its stunning floral backdrops to take inspiration from, or gather your own floral inspiration and take the class online. If you are fascinated by the many statues scattered around the gardens, there is also an opportunity to learn how to draw figures and drapery in a day dedicated to figures and folds.

Caroline is returning as part of the International Summer School with a 5 day course Exploring Drawing & Sources of Creative Inspiration whilst Helen Richman will be skilfully showing you how you can combine paint and stitch with birds at the centre in her 4 day course.

 

Sarah de Rousset Hall’s Koi Pond is an ideal Introduction to Embroidery and perhaps as you wander round the gardens, you will see a beautiful Koi swimming slowly around the water features. Natalie Rowe has taken her inspiration from some of our beautiful native wildflowers with an opportunity to stitch either the Arrowhead or Elderberry. Nicola Jarvis makes a welcome return with her 3-day Crewelwork Master Class Myrtle Blossom inspired by a painting by Mary Gemmell from the RSN Collection.

The International Summer School also offers opportunities online and onsite to explore nature through different techniques, with a Whitework Seahorse, Crewelwork Flower & Bee, Silk Shading & Stumpwork Heath and Harebells and a Gold & Silk Briar Rose among the classes on offer.

We look forward to bringing you closer to nature through one of our many nature-inspired classes this summer.

Browse the full list of our classes for this summer

Some time ago we are were contacted about a sampler that a lady started in 1953 with a coronation theme. The lady suffered a personal trauma and the piece was left unfinished. One of our tutors was going to finish it as a voluntary act but, alas, her circumstances have changed and she can no longer do this.

The owner of the piece who is related to the original lady but is not a stitcher, has agreed to pay for the threads if someone can finish it. She does not have the funds to pay for the Studio to do it. I know this is not what we normally do but I am asking if there are any volunteers out there who would agree to help finish it (perhaps a few people to do part each)? If you are interested in helping please contact Gillian Williams on [email protected]. This is a one-off but your help would be appreciated.

A donation given in a Will can be many times larger than that which people can give in their lifetime and the effect of it can be terrific. The RSN has just been notified of a new legacy gift from a longstanding Life Friend. She has left us 5% of the residue of her estate. We do not yet know how much that will be but if the estate included a house then that would certainly be more than a person could give in their lifetime.

The RSN has received many different percentages from 5 per cent to 100 per cent and the amounts differed greatly, but each one has been truly appreciated and we put it to the best use at the time. The benefit of a percentage is that you do not have to think about the actual amount. It is just in proportion.

Some legacy gifts are specified for education, but most are left open because the time between writing the will and it coming to fruition may be many years and the titles of programmes may have changed, so to avoid difficulties for your executors, it is easiest to leave it to the RSN to decide on how it will be used.

Through a legacy your name will live on and will forever be remembered by the RSN. We talk about those who have given legacy gifts to the RSN with great affection because it really makes a difference to us, knowing that people have supported our work in this way.

Legacies so far have helped us to start programmes, finalise programmes, underpin premises hire, and continue to support students through bursaries and course costs every year. If you would like to be part of the future of hand embroidery and invest in future RSN programmes and students then leaving a legacy in your will is a great way to do this.

We would always advise taking professional advice to make a will that will effectively represent your wishes, with no loop holes, but this need not be very expensive and some firms will waive the costs if they will be the executors of the will when it comes to be acted upon.

If you do include the RSN in your bequests, do let us know as we will be inviting benefactors to events in the future.

Thank you.

 

If you would like to find out more about leaving a legacy, please click here.