Date for your Diary  We are delighted to be part of the forthcoming exhibition, ‘A Vision of Art and Faith’, taking place at the Marian Library Gallery at the University of Dayton in Ohio, USA, open now until 26 August 2022.

This exhibit explores the legacy of Italian artist Ezio Anichini, whose expansive career bridged the art nouveau style of the early 20th century and the propaganda of the World War I era.  Throughout his work are recurring figures, in particular the Virgin Mary of the Litany of Loreto, and this exhibition will feature two of the unique embroidered panels of the Litany of Loreto from the RSN’s Textile Collection.  These stunning Goldwork pieces form a series of 12 different designs which were generously donated to us by the Mayfield convent in Surrey, England in the 1970s. They were identified as designs by Annichini in 2016.  The two that will be on display will be: “Mater Inviolata” and the “Salus Infirmorum,”

The exhibition is free to enter.  For further details on the exhibition, please visit their website.

We are also delighted to announce that RSN Tutor, Helen McCook, will be teaching an exclusive Embroidery Class inspired by the Litany of Loreto, both an Online and at Hampton Court Palace,  as part of our International Summer School 2022.  Read more about our International Summer School.

 

Exhibition now closed

This time next month, our exciting exhibition, ‘150 Years of the Royal School of Needlework: Crown to Catwalk’, will have opened its doors at the Fashion and Textile Museum in the heart of London. Many of the pieces were delivered to the museum last month and we can’t wait to welcome you and share our 150th anniversary celebrations. We can now reveal more details about the exhibition.

The exhibition will showcase over 120 embroidered pieces and designs, spanning from 1872 to the present day. Presented thematically, the exhibition takes you on a journey through the many different elements of the RSN. Starting in the small gallery, visitors will be transported back to the Victorian era by bringing our early beginnings to life. It will focus on the RSN’s involvement in the Arts and Crafts movement during the period of 1872-1899, notable works include Walter Crane and William Morris motifs and design cards by Edward Burne-Jones, Gertrude Jekyll, and Madeline Wyndham.

As you proceed through to the Fashion and Textile Museum’s main gallery, you will be greeted by a regal glimpse into our work with the British Royal Family, including the 1937 Robe of Estate of Queen Elizabeth, The Queen Mother, which has not been exhibited since the 1990s, and Edward VII’s Coronation Cope from 1902.

The exhibition then embraces the skilfulness and flexibility of the RSN, showcasing ecclesiastical commissions; examples of works by the RSN’s lingerie department which operated until the 1940s; and our link to the military, including teaching returning soldiers how to stitch as an active therapy.

As the exhibition progresses to the mezzanine gallery, you can enjoy a curated selection of modern collaborations and partnership projects, including the eco-fashion campaign ‘Red Carpet Green Dress’ worn by Naomie Harris at the 2013 Oscars; a unique embroidered waistcoat, from the AW14 E. Tautz Collection, designed by Patrick Grant and embellished by RSN Degree Students. In addition, visitors will be able to see a Nicholas Oakwell couture dress worn by Erin O’Connor for Vogue and the unique Red Dress project conceived by British artist Kirstie Macleod. (You can read more about The Red Dress here)

Throughout the exhibition there will also be inspiring work by our students, from past Apprentices and Future Tutor Students, who are now RSN Tutors, to students from our Degree and Certificate & Diploma courses.

The final room upstairs will showcase the work of the RSN Embroidery Studio as well as ongoing projects such as the RSN Stitch Bank. The space will also demonstrate how stitching can improve wellbeing, featuring printed montages of the NHS embroidered hearts of appreciation project and our ‘RSN Postcards from Home’ campaign which we ran during the Covid-19 pandemic. There will also be the opportunity for visitors to try embroidery for themselves.

‘150 Years of the Royal School of Needlework: Crown to Catwalk’ is a detailed exploration of the RSN from our beginnings to present day.

VIEW PREVIEW OF PIECES HERE

The exhibition opens on 1 April and runs until 4 September.

There will be a Catalogue of the Exhibition which you can purchase at the museum or if you would like a copy in advance, you can pre-order it via the RSN Shop.

As part of our anniversary celebrations, we are launching a new book called ‘An Unbroken Thread: Celebrating 150 Years of the Royal School of Needlework’. The book is written by RSN Chief Executive, Dr Susan Kay-Williams, and is a richly illustrated book telling our history, from its founding in 1872 to the present day. It comprises numerous historical pictures and documents, showing our evolution as fashions changed as well as our association with everyone from society ladies and theatre impresarios in the late 19th century to working with great fashion designers in the 21st. You can pre-order your copy from the RSN’s Online Shop.  All copies bought via the RSN’s Shop will be signed by Susan. Pre-order your book here.

We will also be producing an Exhibition Catalogue to accompany our Anniversary Exhibition at the Fashion and Textile Museum.   If you pre-order both the book ‘Unbroken Thread’ and the Exhibition Catalogue together, you can purchase them at a special price of £45 here.

There will be a number of fun, free Family Drop-In Sessions at the Fashion and Textile Museum during the school holidays whilst our anniversary exhibition is open.

Families will have the opportunity to ‘have a go’ at stitching while visiting the exhibition. These sessions will be free of charge to exhibition visitors on that day.  These will run on most Thursdays during the school holidays from 11.30am – 1pm and 2pm – 4pm.   Dates for the Family Sessions are:

  • Thursday 7 April
  • Thursday 14 April
  • Tuesday 31 May
  • Thursday 28 July
  • Thursday 4 August
  • Thursday 11 August
  • Thursday 18 August
  • Thursday 25 August
  • Thursday 1 September

To book your ticket and for more information, please visit the Fashion and Textile Museum’s website.

We were delighted to welcome artist Kirstie Macleod and her very special Red Dress back to the RSN last month. In preparation for its display at the RSN exhibition at the Fashion and Textile museum, the Red Dress came back to Hampton Court Palace. Our current Degree and Future Tutor Students added their own stitches and motifs. The dress first came to the RSN in 2010.

The Red Dress Project, conceived by Kirstie, provides an artistic platform for women around the world, many of whom are marginalised and live in poverty, to tell their personal stories through embroidery. So far, over 250 embroiderers have worked on the dress from 29 different countries!

Book your ticket to view the Red Dress at ‘150 Years of the Royal School of Needlework: Crown to Catwalk’ at the Fashion and Textile Museum from 1 April – 3 September.

Read more about The Red Dress Project.

The RSN designed and embroidered the Robe of Estate for Her Majesty Queen Elizabeth for the Coronation at Westminster Abbey on 2 June 1953. To celebrate Her Majesty’s 70 years on the throne and our work on the Robe, we will be running exclusive Coronation themed Live Online Day & Evening Classes:

An Anniversary Celebration: 3pm – 9pm on 31 March

After the Coronation in 1953, the RSN curated a special exhibition at St James’s Palace, London which featured the Robe of Estate. The front page of the souvenir catalogue from this event has inspired this class design. The design features Gold Japanese thread and is finished with chips of bright check Goldwork, plus Back, Satin and Chain Stitch.  Book Here

Coronation Gold: ‘Peace & Plenty’ 6.30pm – 9pm on 11, 18, 25 May and 8 June

Students can learn the Coronation Goldwork technique to re-create the ‘Wheat and Olive’ design featured on the Robe. This class covers several of the techniques used on the Robe including Cutwork, Chipping, Couching and Appliqué as well as Padding techniques to create a three dimensional effect.  Book Here

Her Majesty: 10am – 4pm on 11, 18 & 25 June

Inspired by the image of The Queen on the postal stamp in 1967, against a Union Jack background, the design uses counted Blackwork patterns, Surface Stitching and Beadwork as well as Long and Short Stitch, Stem Stitch and Padded Satin Stitch. Beads and diamanté are added to a glittering crown.  Book Here

There will also be the opportunity to see the sampler of the stunning ‘Wheat and Olive’ design which was made in 1953 at our Anniversary Exhibition, ‘150 Years of the Royal School of Needlework: Crown to Catwalk’.

Her Majesty’s Robe of Estate is 6.5 metres long and made of purple silk velvet. The Royal School of Needlework completed the embroidery on the robe in a total of 3,500 hours from February to April 1953. The work was carried out by 12 embroiderers, in shifts from 7am to 10pm each day including weekends. The work was embroidered using huge wooden embroidery frames which are still used by our Embroidery Studio. The RSN has worked on all of the 20th Century Coronation Robes, dating back to the 1902 Coronation of Edward VII and his wife, Alexandra.

Her Majesty’s Coronation Dress and Robe of Estate will be on display at Windsor Castle on 7 July – 26 September.

View all Day & Evening Classes.

View all activities for the RSN’s 150th Anniversary Celebrations.

Images of The Queen’s Robe of Estate and Coronation Dress are courtesy of The Royal Collection Trust © Her Majesty Queen Elizabeth II 2022.  Additional images are designs for the Embroidery Classes;  the Goldwork Sampler that will be on exhibition at the Fashion and Textile Museum and a black and white image of the RSN hand embroidering the Goldwork on the Robe in 1953.

Join us for our fascinating Live Online Talks this month and learn more about historical fashions, including the Lost Dress of Elizabeth I.  We also have a few remaining spaces on our popular Live Online Day & Evening Classes.

Live Online Talks at 7pm

The Lost Dress of Elizabeth I with Eleri Lynn and Anne Butcher – Weds 9 Feb

Revolutions Shall be Made in Fashions with Amy Hare – Wed 23 Feb

Live Online Day & Evening Classes

Pansy Wreath – Sat 19 & 26 Feb, 3.30pm – 6pm Exclusive Anniversary Class

Silk Shaded Botanical Study – Sat 19 & 26 Feb, 6pm – 9pm Only 2 spaces left

Creative Goldwork – Weekly from Wed 23 Feb – 30 March, 7pm – 9pm Only 3 spaces left

Creative Crewelwork – Weekly from Fri 25 Feb – 1 April, 10am – 12pm

We look forward to welcoming you.

 

The Worship & Glory II exhibition at Ely Cathedral is now open and we are delighted to announce that we will be teaching two classes at Ely Cathedral Centre.

RSN Tutor, Heather Lewis, will be teaching a stunning Goldwork Fleur de Lis design on Saturday 5 March, introducing you to a range of techniques used in Goldwork embroidery.

You can also join RSN Tutor, Helen Jones, to create a Whitework Waterlily on Saturday 12 March and learn a range of Whitework stitches, including Mountmellick.

Both classes run from 10am – 4pm and include a visit to the new exhibition at Ely Cathedral.  The stunning exhibition features all 12 panels of the Litany of Loreto, a selection of beautiful christening robes from the RSN Collection and contemporary fashion pieces from our Degree programme. The exhibition runs until 13 March.

Book Day Classes at Ely Cathedral Centre

Read more about the Worship & Glory II exhibition at Ely Cathedral.

View all RSN Day & Evening Classes

Plans are now coming along for our International Summer School whether you are able to visit us at Hampton Court Palace or join us online.  For those who can come to Hampton Court Palace, your stitching week will begin on Monday morning for the usual 10am – 4pm teaching hours. We can also reveal some extra special events in the week:

  • Tuesday at 4:15pm will be a tea with members of the RSN staff and students on other courses.
  • Wednesday will be a visit to the RSN’s Embroidery Studio after your stitching hours and an opportunity to see the RSN’s exhibition, ‘A Girl’s Education in Stitch’.
  • Thursday the stitching day will start slightly earlier, so we can take you after lunch to the Fashion and Textile Museum in London to see our anniversary exhibition, ‘150 Years or the Royal School of Needlework: Crown to Catwalk’ on a guided tour.

However, don’t despair if you can’t come to London.  All of the five day special classes will be available online, either week commencing 11 July or week commencing 18 July, running 3pm – 9pm UK time (10am – 4pm EST).

Plus for those with a bit less time, we have some 2 and 3-Day Classes in a range of techniques; Crewelwork, Blackwork, Goldwork, Coloured Blackwork and Mixed Media which we will be running week commencing 3 July for AUS/NZ, week commencing 11 July for the Americas, week commencing 18 July for UK and Europe.

Watch this space for more exciting details and when bookings will open!

Read  more about the RSN’s International Summer School here

We are thrilled and immensely proud that so many RSN Tutors, Students and Graduates will have work displayed at the upcoming Worshipful Company of Broderers exhibition ‘The Art of Embroidery,’ taking place at Bankside Gallery in London, from 22-27 February.

The exhibition will showcase embroidery both as fine art in the modern sense, and also reflect the centuries of heritage which form the current craft of embroidery today. Exhibitors will range from established artists to emerging artists, and will provide a platform to gain exposure, display and sell their artwork as well as connect with art lovers.

Below is a selection of some of the RSN Tutors, Graduates and Students whose work has been selected. You’ll be able to see more over the coming weeks on Facebook and Instagram.

‘Happy’ is the title of one of RSN Tutor Kate Barlow’s pieces: “My pieces. ‘Happy’ and ‘Love’, are both worked on ivory silk satin using Silk Shading and Goldwork techniques. I have always had a fascination with lettering, particularly beautiful, highly embellished fonts. My Grandad was a Master Signwriter and I still have his lettering books and brushes from the 1930s and 1940s. They are a poignant link to his highly skilled craft, and to a time before technology started to take away the need for fine draughtsmanship and a steady hand. I love the idea of combining my own craft of traditional hand embroidery with beautiful fancy lettering styles to create uplifting, optimistic images that will hopefully make you smile.”

Natalie Rowe, who is currently in the third year of the RSN Future Tutors Programme, will display her ‘Untitled’ piece which is formed from block abstract shapes, worked in lines of couching. Natalie says: “Changing thread directions and varied stitch densities create light effects across the surface. Sinuous lines disrupt the initially regular pattern of stitches, developing organically to generate a further design of their own. I’m interested in experimenting with the textural and reflective qualities of embroidery techniques and materials, exploring how these can be exploited to create a further dimension of design to an embroidered surface. I am currently sampling for my signature project in which I am developing further with the ideas sparked by this piece.”

RSN Degree Graduate 2020, Hisae Abe, has been influenced by a Japanese artist for her piece ‘Wind God: “The piece is inspired by the folding screen paper of the ‘Wind and Thunder God’ (Fujin and Raijin) by the famous Japanese painter, Sotatsu Tawaraya. I embroidered on to kimono fabric, using real Japanese gold thread. I also applied washi paper which I hand dyed. This piece is full of Japanese tradition and craftsmanship.”

Katherine Duiguid, who graduated from the RSN Certificate in Technical Hand Embroidery in 2016, worked on her piece in 2021 from her studio in North Carolina, USA. Katherine took inspiration from the Douce Apocalypse and the Trinity Apocalypse, ‘The Red Dragon Lurks in Front of the Woman Clothed with the Sun’ which depicts the 7-headed dragon’s arrival in the story of the Woman of Revelations 12. “While utilising traditional embroidery techniques, the embroidered panel blends the Anglo-Norman aesthetic influences while providing visual commentary through the gaze of a modern female artist.”

The Broderers’ Exhibition: ‘The Art of Embroidery’ is an open-submission art exhibition, organised by The Worshipful Company of Broderers; one of the ancient Livery Companies of the City of London. It was formed to regulate the standard of embroidery, a major City trade in the Middle Ages. For further information on visiting this wonderful ‘Art of Embroidery’ exhibition, please visit The Broderers’ Exhibition website.

Images of work by Katherine Duiguid, Natalie Rowe, Hisae Abe and Kate Barlow.

Having enjoyed the Christmas Festivities, our Future Tutors were back on site at the beginning of January, ready to get stuck into another busy term.  One of their first classes of the term was the beginning of their Gold Symbols module.  This teaches the fundamentals of Goldwork and how to handle the delicate materials used.  Goldwork is synonymous with both Royalty and Ecclesiastical vestments and is just one of the many techniques the RSN is famous for.

Our Future Tutors have also just been given the opportunity to design a special kit for the Learning Curves at The Knitting & Stitching Shows, due to take place in the autumn.  They have been asked to put forward designs which represent our 150th anniversary celebrations.  Staff in the Education Department will have the very difficult task of choosing one or two designs to go forward for the kits.  Once completed, the chosen kit designs will appear on The Knitting & Stitching website, ready for people to book the classes.

The Future Tutors Programme is now open for applications for the year starting September 2022.  If you would like a career in embroidery and love teaching, this course could be for you.  For further information, visit our website here.

Images of completed Gold Symbols are by Future Tutor Graduates 2021 Kate Pankhurst and Kathryn Sanders (close ups).

Our 150th anniversary and a new stitch competition with Appletons Wool brings a double celebration!  Appletons Wool is giving you the chance to win £500 and have your stitch design marketed around the world in conjunction with the Royal School of Needlework.

To enter, design and stitch an embroidery or tapestry kit using the theme of Celebration and whatever it might mean to you. It could be bunting, a greeting card, a cushion, a picture or something not even thought of yet! Anyone can enter – professional or amateur.

The winning entry will not only receive the cash prize, but also have their kit marketed around the world under their name and the Appletons brand. The Royal School of Needlework’s logo will also be featured as a percentage of each sale will be kindly donated to us by Appletons.

So get your creative stitch juices flowing. The one requirement is that you only use Appletons Wool, and with 425 shades, that should leave plenty of scope for imagination. The closing date is 31 July 2022.

Visit the Appletons website for more details.

Happy Stitching and good luck!