As part of the Online International Summer School we will be offering a series of exclusive Talks, not just from the RSN, but also related areas that would not normally be possible with physical conferences. We are delighted to reveal details of the full line up of Talks.
Bacton Altar Cloth – The Lost Dress of Elizabeth I
Eleri Lynn is the former Curator of the Royal Ceremonial Dress Collection at Hampton Court Palace. Whilst researching a history of Tudor Royal Fashion, Eleri identified a cloth that had been used as an altar hanging but which, on closer inspection, suggested an even more prestigious and historic origin. She will talk about her research and findings, and the conservation undertaken by Historic Royal Palaces for the exhibition of the Altar Cloth in 2019/20. Then Anne Butcher, Head of Studio & Education at the RSN, will talk about the work we did to create three replica flowers for the exhibition and ultimately the kits that are being taught as part of our 2021 Summer School.
RSN and the USA
It is well-known that the RSN first showed work in the USA at the Philadelphia Centennial Exhibition, but how did relationships between the USA and the RSN develop after that? Learn more about the people from the RSN who went west and the Americans who came to London, from RSN Chief Executive Dr Susan Kay-Williams. Teaching, exhibitions, talks were all happening at different times and this talk will give more of an insight into the people and the occasions – and even features the Queen Mary and Queen Elizabeth ships.
RSN Graduate Erica Wilson
Erica Wilson trained at the RSN in the 1940s, just after World War II. She taught evening classes and helped in the showroom, which often also meant giving private lessons. Erica left to go to the United States in 1954. She went on to bring Crewel embroidery and a host of other stitching techniques to thousands in the US and UK through her television shows, books and kits. Anne Hilker undertook research in preparation for an exhibition of Erica Wilson’s work at Winterthur in the US, co-curated by Linda Eaton, and will bring to us the story of Erica’s career.
Behind the Scenes of the Royal Collection Trust
Caroline de Guitaut is Deputy Surveyor of The Queen’s Works of Art at the Royal Collection Trust in London. She has been responsible for many exhibitions at Buckingham Palace and other royal residences, including the Coronation Exhibition of 2013 which featured three items made by the RSN including the Robe of State. She will be talking about some of the challenges of looking after and telling the stories of The Royal Collection which has a very wide range of objects.
The Overlord Embroidery
Tracy Teasdale worked for many years at the D-Day Museum in Portsmouth and was there when it was re-presented and became The D-Day Story. She will share detailed information about the Overlord Embroidery made by the RSN to tell this powerful narrative, and about the museum and the way in which the embroidery is appreciated by those who come to see it.
The Life of Princess Helena and her connection to the RSN
The RSN’s first Royal connection was with Princess Helena, officially known as Princess Christian of Schleswig Holstein, and Queen Victoria’s third daughter. This talk by RSN Chief Executive and Archivist, Dr Susan Kay-Williams, will explore the life of Princess Helena and particularly her 50-year connection with the RSN as a driving force, spokeswoman, saleswoman, fundraiser, advocate and devoted servant.
These Talks are only available to people who have signed up for our Online International Summer School, (and you can join them live or at a time that better suits you over the two weeks of the Summer School).
There is still time to join us in July, whether just for one class or for the week.
Read more about our Online International Summer School 2021.
Images show: RSN Embroiderers working on the Coronation Robe of Her Majesty The Queen; Eleri-Lynn examining the Lost Dress of Elizabeth I © Historic Royal Palaces; RSN Embroiderers working on the Overlord Embroidery; RSN Diploma Whitework by Erica Wilson